1983.122 Sacred textile (sarita)


GENERAL DESCRIPTION  
The design on this textile is dense with symbolic elements, each laden with meaning that represents hopes and prayers for wealth and prosperity. Two armed warriors appear in the center section. One rides a horse, while the other is accompanied by a fierce miniature goat-like animal that is known as an anoa and is only found on the island of Sulawesi. The ends of this sarita illustrate field scenes with prized buffalo. The figures above them are set in rows of ribbed, fishbone-like patterns called pa’buku pana, “the backbone of eels,” which signify the strength and aristocratic bearing of this cloth’s owner.

Excerpt from
Roslyn A. Walker, Label text, 2013. 

NOTES
SGA textile exhibition

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PROVENANCE
n.d.: Steven G. Alpert, Dallas, Texas, purchased from Haji Samsuddin, Ujung Pandang (Makassar), Sulawesi, Indonesia

1983: Dallas Museum of Art, purchased from above [1]

Notes:
The main source for this provenance is the Pacific American Corp. document titled "Dallas Museum of Art: The Steven G. Alpert Collection of Indonesian Textiles" in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles. Exceptions and other supporting documents are noted.

[1] See pages 1-4 of the correspondence between Harry S. Parker and Pacific American Corp. dated October 5, 1983, in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles.

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General Description
 
The design on this textile is dense with symbolic elements, each laden with meaning that represents hopes and prayers for wealth and prosperity. Two armed warriors appear in the center section. One rides a horse, while the other is accompanied by a fierce miniature goat-like animal that is known as an anoa and is only found on the island of Sulawesi. The ends of this sarita illustrate field scenes with prized buffalo. The figures above them are set in rows of ribbed, fishbone-like patterns called pa’buku pana, “the backbone of eels,” which signify the strength and aristocratic bearing of this cloth’s owner.

Excerpt from
Roslyn A. Walker, Label text, 2013. 

Fun Facts

Archival Resources

Web Resources
 

Notes
SGA textile exhibition

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
n.d.: Steven G. Alpert, Dallas, Texas, purchased from Haji Samsuddin, Ujung Pandang (Makassar), Sulawesi, Indonesia

1983: Dallas Museum of Art, purchased from above [1]

Notes:
The main source for this provenance is the Pacific American Corp. document titled "Dallas Museum of Art: The Steven G. Alpert Collection of Indonesian Textiles" in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles. Exceptions and other supporting documents are noted.

[1] See pages 1-4 of the correspondence between Harry S. Parker and Pacific American Corp. dated October 5, 1983, in the Collections Records file labeled Steven G. Alpert—Indonesian Textiles.

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Objects
number
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1983.122
tags
#draft
#completed
animals (Animalia kingdom): AAT: 300249395
%copyedited_Gail
figures (representations): AAT: 300189808
%Archived
@Bilal-Gore
fields (land): AAT: 300343519
blue (color): AAT: 300129361
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
circles (plane figures): AAT: 300055627
*Arts of the Pacific Islands
cloth: AAT: 300162391
warriors: AAT: 300261945
weaving: AAT: 300053642
horses (animals): AAT: 300250148
buffalo (animals): AAT: 300250108
Sulawesi: TGN: 7003975
Toraja: DMA
warp: AAT: 300227930
weft: AAT: 300227934
cotton (fiber): AAT: 300183670
sacred objects: AAT: 300234190
batik: AAT: 300053050
dyeing: AAT: 300053049
dye (colorant): AAT: 300013029
%exhibitions pending
scenes (depictions): AAT: 300264666
source file
object_notes_2_d-0037.xml.nores