1986.43.FA Seated female figure


GENERAL DESCRIPTION
The upswept and spiraling hairstyle on this lithe seated figure is a metaphor for sexuality and, by extension, fertility. It was probably used in connection with headhunting rites, perhaps as the finial for a hook on which an enemy’s skull was hung. Headhunting, which ensured both agricultural and human fertility, was considered essential for cosmic order.

Excerpt from
Roslyn A. Walker, Label text, 2013. 

NOTES

Catalogue essays

Artist/designers

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RELATED OBJECTS 

PROVENANCE 
1986: Dallas Museum of Art, Foundation for the Arts Collection, gift of Sarah Dorsey Hudson, purchased from Steven G. Alpert, Dallas, Texas [1]

Notes:
The main source for this provenance is the document titled Acquisition Checklist, May 27, 1986, in the Collections Records object file (1986.43.FA). 

[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation, and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1986.43.FA

Category
rules_operator
AND
General Description
The upswept and spiraling hairstyle on this lithe seated figure is a metaphor for sexuality and, by extension, fertility. It was probably used in connection with headhunting rites, perhaps as the finial for a hook on which an enemy’s skull was hung. Headhunting, which ensured both agricultural and human fertility, was considered essential for cosmic order.

Excerpt from
Roslyn A. Walker, Label text, 2013. 

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1986: Dallas Museum of Art, Foundation for the Arts Collection, gift of Sarah Dorsey Hudson, purchased from Steven G. Alpert, Dallas, Texas [1]

Notes:
The main source for this provenance is the document titled Acquisition Checklist, May 27, 1986, in the Collections Records object file (1986.43.FA). 

[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation, and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1986.43.FA
tags
#draft
#completed
fertility: AAT: 300379149
sculpture: AAT: 300047090
female: AAT: 300189557
hairstyles: AAT: 300262903
figures (representations): AAT: 300189808
%Archived
sitting (seated): AAT: 300263970
ritual (events): AAT: 300065284
@Bilal-Gore
iron (metal): AAT: 300011002
skull (skeleton component): AAT: 300191856
sexuality: AAT: 300055187
*Arts of the Pacific Islands
finials: AAT: 300002280
Dayak: DMA
Kalimantan: TGN: 7000221
forging (metal forming): AAT: 300054033
source file
object_notes_2_d-0001.xml.nores