1990.203 Shroud or ceremonial hanging (Papori to Noling)


GENERAL DESCRIPTION
The complex angular patterns of this textile—diamond shapes with hooks—can be interpreted as stylized human torsos with four limbs that represent many generations of ancestors. Such textiles were used in ceremonies surrounding the death of honored persons. They functioned as shrouds to wrap the honored dead or wall hangings that provided a backdrop for the principal participants at funerals or other important ceremonies.

Papori to Noling means "ikat weaving of the Noling people," in reference to the method of dyeing warp yarns before weaving them into cloth and to the center of this weaving style. It would have taken many weeks or moths of steeping the yarns in dyes made from the indigo plant and the roots and bark of Indian mulberry to achieve these shades of blue (indigo) and red (mulberry).

Excerpt from
Roslyn A. Walker, Label text, 2016.

NOTES

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Artist/designers

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PROVENANCE 
1990: Dallas Museum of Art, gift of The Eugene McDermott Foundation, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the Acquisition Checklist in the Collections Records object file (1990.203).

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Apply to objects where number equals 1990.203

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General Description
The complex angular patterns of this textile—diamond shapes with hooks—can be interpreted as stylized human torsos with four limbs that represent many generations of ancestors. Such textiles were used in ceremonies surrounding the death of honored persons. They functioned as shrouds to wrap the honored dead or wall hangings that provided a backdrop for the principal participants at funerals or other important ceremonies.

Papori to Noling means "ikat weaving of the Noling people," in reference to the method of dyeing warp yarns before weaving them into cloth and to the center of this weaving style. It would have taken many weeks or moths of steeping the yarns in dyes made from the indigo plant and the roots and bark of Indian mulberry to achieve these shades of blue (indigo) and red (mulberry).

Excerpt from
Roslyn A. Walker, Label text, 2016.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1990: Dallas Museum of Art, gift of The Eugene McDermott Foundation, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the Acquisition Checklist in the Collections Records object file (1990.203).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1990.203
tags
#draft
#completed
%copyedited_Gail
figures (representations): AAT: 300189808
%Archived
ceremonial objects: AAT: 300234117
ceremonies: AAT: 300054754
@Bilal-Gore
white (color): AAT: 300129784
blue (color): AAT: 300129361
red (color): AAT: 300126225
ancestors: AAT: 300255718
*Arts of the Pacific Islands
weaving: AAT: 300053642
Sulawesi: TGN: 7003975
funerals: AAT: 300069162
ikat: AAT: 300249861
warp: AAT: 300227930
weft: AAT: 300227934
cotton (fiber): AAT: 300183670
dye (colorant): AAT: 300013029
plain weave (tabby / process): AAT: 300312167
shrouds: AAT: 300215011
source file
object_notes_2_c-0355.xml.nores