1949.11 Koloman Sokol, Self-Portrait (Autoportrét)


GENERAL DESCRIPTION  
Slovakian artist Koloman Sokol is considered one of the major Eastern European printmakers of the past century. Inspired by Vincent van Gogh, Käthe Kollwitz, and the German Expressionists, Sokol studied under the Czech printmaker Max Švabinskīý, a professor of graphic art in Prague and a prolific creator of portrait prints. Sokol himself became a professor of graphic art, teaching at the National School of the Plastic Arts in Mexico City from 1937 to 1942.

This print depicts the artist at work. Sokol’s gaze into the mirror becomes his gaze out at us. His hand is held suspended above the print block he is working on in a return to the earlier self-portraiture convention of showing the artist with the tools of his trade. On the block, we see what could be another self-portrait, perhaps this very image, in the process of being created.

Adapted from
Amy Wojciechowski, DMA label copy, 2017.

NOTES
n.d.

Catalogue essays

Artist/designers
Sokol, Koloman (Slovakian, 1902-2003)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • DMA Uncrated~Learn more about Koloman Sokol's Self-Portrait in this Dallas Museum of Art blog post.

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1949.11

Category
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General Description
 
Slovakian artist Koloman Sokol is considered one of the major Eastern European printmakers of the past century. Inspired by Vincent van Gogh, Käthe Kollwitz, and the German Expressionists, Sokol studied under the Czech printmaker Max Švabinskīý, a professor of graphic art in Prague and a prolific creator of portrait prints. Sokol himself became a professor of graphic art, teaching at the National School of the Plastic Arts in Mexico City from 1937 to 1942.

This print depicts the artist at work. Sokol’s gaze into the mirror becomes his gaze out at us. His hand is held suspended above the print block he is working on in a return to the earlier self-portraiture convention of showing the artist with the tools of his trade. On the block, we see what could be another self-portrait, perhaps this very image, in the process of being created.

Adapted from
Amy Wojciechowski, DMA label copy, 2017.

Fun Facts

Archival Resources

Web Resources
 
  • DMA Uncrated~Learn more about Koloman Sokol's Self-Portrait in this Dallas Museum of Art blog post.

Notes
n.d.

Catalogue essays

Artist/designers
Sokol, Koloman (Slovakian, 1902-2003)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1949.11
tags
#draft
#completed
%copyedited_Gail
%Archived
men: AAT: 300025928
@Russell
*European Art
hands (animal or human components): AAT: 300310193
artists (visual artists): AAT: 300025103
mouths (animal or human components): DMA
black (color): AAT: 300130920
eyes (animal or human components): AAT: 300400484
noses (animal or human components): DMA
gaze: AAT: 300263453
wood engraving (process): AAT: 300053303
self-portraits: AAT: 300124534
wood blocks (printing blocks): AAT: 300234278
wood engravings (prints): AAT: 300041402
burin: AAT: 300193147
scarves (costume accessories): AAT: 300046123
source file
object_notes_2_c-0345.xml.nores