1996.181 Roof-ridge panel with crouching human figures


GENERAL DESCRIPTION  
Three squatting figures with their elbows posed above their knees are carved in relief on this architectural panel. Judging by its scale and tapered shape, it was most likely the central panel from a small mausoleum or shrine house. The figures most likely refer to sacrificed slaves, or helpers of the dead, whose lives were taken at the end of a funeral cycle. In pre-colonial times, aristocratic structures in many parts of Indonesia were sanctified by the bodies of sacrificial victims that were placed under key architectural posts or at cardinal points. This was done to solicit the blessings of the ancestors and to properly settle or stabilize structures. 

This roof-ridge panel miraculously survived because it was buried in a riverbed. One side was face down in the mud, protected from the force of rushing water. The other side has more erosion as a result of being washed over by the river’s current before also being buried beneath mud. 

Excerpt from
Roslyn A. Walker, Label text, 2013.

NOTES

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PROVENANCE 
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.181).

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Apply to objects where number equals 1996.181

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General Description
 
Three squatting figures with their elbows posed above their knees are carved in relief on this architectural panel. Judging by its scale and tapered shape, it was most likely the central panel from a small mausoleum or shrine house. The figures most likely refer to sacrificed slaves, or helpers of the dead, whose lives were taken at the end of a funeral cycle. In pre-colonial times, aristocratic structures in many parts of Indonesia were sanctified by the bodies of sacrificial victims that were placed under key architectural posts or at cardinal points. This was done to solicit the blessings of the ancestors and to properly settle or stabilize structures. 

This roof-ridge panel miraculously survived because it was buried in a riverbed. One side was face down in the mud, protected from the force of rushing water. The other side has more erosion as a result of being washed over by the river’s current before also being buried beneath mud. 

Excerpt from
Roslyn A. Walker, Label text, 2013.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.181).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1996.181
tags
#draft
#completed
figures (representations): AAT: 300189808
%Archived
sacrifices: AAT: 300263243
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
ancestors: AAT: 300255718
*Arts of the Pacific Islands
panels (surface components): AAT: 300069079
architectural ornament: AAT: 300378995
funerals: AAT: 300069162
aristocrats: AAT: 300236021
aristocracy (social class): AAT: 300055484
mausoleums: AAT: 300005891
Kalimantan: TGN: 7000221
ironwood: AAT: 300012172
source file
object_notes_2_c-0321.xml.nores