GENERAL DESCRIPTION
Three squatting figures with their elbows posed above their knees are carved in relief on this architectural panel. Judging by its scale and tapered shape, it was most likely the central panel from a small mausoleum or shrine house. The figures most likely refer to sacrificed slaves, or helpers of the dead, whose lives were taken at the end of a funeral cycle. In pre-colonial times, aristocratic structures in many parts of Indonesia were sanctified by the bodies of sacrificial victims that were placed under key architectural posts or at cardinal points. This was done to solicit the blessings of the ancestors and to properly settle or stabilize structures.
This roof-ridge panel miraculously survived because it was buried in a riverbed. One side was face down in the mud, protected from the force of rushing water. The other side has more erosion as a result of being washed over by the river’s current before also being buried beneath mud.
Excerpt from
Roslyn A. Walker, Label text, 2013.
NOTES
Catalogue essays
Artist/designers
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RELATED OBJECTS
PROVENANCE
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas
Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.181).
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VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1996.181
Category
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General Description
Three squatting figures with their elbows posed above their knees are carved in relief on this architectural panel. Judging by its scale and tapered shape, it was most likely the central panel from a small mausoleum or shrine house. The figures most likely refer to sacrificed slaves, or helpers of the dead, whose lives were taken at the end of a funeral cycle. In pre-colonial times, aristocratic structures in many parts of Indonesia were sanctified by the bodies of sacrificial victims that were placed under key architectural posts or at cardinal points. This was done to solicit the blessings of the ancestors and to properly settle or stabilize structures.
This roof-ridge panel miraculously survived because it was buried in a riverbed. One side was face down in the mud, protected from the force of rushing water. The other side has more erosion as a result of being washed over by the river’s current before also being buried beneath mud.
Excerpt from
Roslyn A. Walker, Label text, 2013.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas
Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.181).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1996.181
source file
object_notes_2_c-0321.xml.nores