GENERAL DESCRIPTION
The dominant design features on this early Lampung skirt are a procession of aquatic-like underworld creatures embroidered with silk floss on an indigo ground. Surrounded by earthy ikat tones, these fantastic creatures suggest the earth’s bounty and the highly charged fertility that rites of passage—particularly marriage—embody.
While the exact meaning of this imagery has been lost, it is rooted in the distant past. The anthropomorphic creatures on this ceremonial skirt, with their S-curve bodies and arching tendrils, are similar to those found on the tympanum of cast drums from the region’s Bronze Age. Stylistically, the images belong to a curvilinear artistic tradition that once spanned a vast area, from Asia’s far western steppes to ancient China to the island of Borneo and beyond.
Excerpt from
Roslyn A. Walker, Label text, 2013.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas
Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.182).
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1996.182
Category
rules_operator
AND
General Description
The dominant design features on this early Lampung skirt are a procession of aquatic-like underworld creatures embroidered with silk floss on an indigo ground. Surrounded by earthy ikat tones, these fantastic creatures suggest the earth’s bounty and the highly charged fertility that rites of passage—particularly marriage—embody.
While the exact meaning of this imagery has been lost, it is rooted in the distant past. The anthropomorphic creatures on this ceremonial skirt, with their S-curve bodies and arching tendrils, are similar to those found on the tympanum of cast drums from the region’s Bronze Age. Stylistically, the images belong to a curvilinear artistic tradition that once spanned a vast area, from Asia’s far western steppes to ancient China to the island of Borneo and beyond.
Excerpt from
Roslyn A. Walker, Label text, 2013.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1996: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas
Notes:
The main source for this provenance is the copy of the document "Statement" dated September 4, 1996, in the Collections Records object file (1996.182).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1996.182
source file
object_notes_2_c-0320.xml.nores