2003.31 Seated male ancestor figure


GENERAL DESCRIPTION  
The sensitive carving of this figure’s eyes, mouth, and aristocratic gold ear ornaments contrasts with the dramatic abstraction of the body. The seated pose encompasses three different compositions. Viewed from the front, the composition is a hollow cube, framed by folded and gently rounded legs. In profile, the composition is a dynamic combination of angles and fluid curves articulating an improbably thin torso. Viewed from the back, the composition is a bold vertical slab.

This sculpture represents the founding ancestor of a community. The Leti believed that a deceased person’s shadow image, likened to a soul or spirit, could take up residence in carved wooden figures, thus allowing their descendants to communicate with him or her. Female ancestors were consulted regarding fertility, whereas male ancestors were called upon for status issues.

Excerpt from
Roslyn A. Walker, Label text, 2013.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1995: Leendert Van Lier, Amsterdam, The Netherlands

1997-2003: Yellin collection, Santa Monica, California, purchased at auction, "African, Oceanic & Indonesian Art from Van Lier Collection," Christie's, Amsterdam, April 15, 1997

2003: Dallas Museum of Art, purchased through Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the Acquisition Proposal in the Collections Records object file (2003.31).

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Apply to objects where number equals 2003.31
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General Description
 
The sensitive carving of this figure’s eyes, mouth, and aristocratic gold ear ornaments contrasts with the dramatic abstraction of the body. The seated pose encompasses three different compositions. Viewed from the front, the composition is a hollow cube, framed by folded and gently rounded legs. In profile, the composition is a dynamic combination of angles and fluid curves articulating an improbably thin torso. Viewed from the back, the composition is a bold vertical slab.

This sculpture represents the founding ancestor of a community. The Leti believed that a deceased person’s shadow image, likened to a soul or spirit, could take up residence in carved wooden figures, thus allowing their descendants to communicate with him or her. Female ancestors were consulted regarding fertility, whereas male ancestors were called upon for status issues.

Excerpt from
Roslyn A. Walker, Label text, 2013.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1995: Leendert Van Lier, Amsterdam, The Netherlands

1997-2003: Yellin collection, Santa Monica, California, purchased at auction, "African, Oceanic & Indonesian Art from Van Lier Collection," Christie's, Amsterdam, April 15, 1997

2003: Dallas Museum of Art, purchased through Pacific American Corp. (Steven G. Alpert), Dallas, Texas

Notes:
The main source for this provenance is the Acquisition Proposal in the Collections Records object file (2003.31).

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2003.31
tags
#draft
#completed
sculpture: AAT: 300047090
figures (representations): AAT: 300189808
%Archived
sitting (seated): AAT: 300263970
male: AAT: 300189559
human figures: AAT: 300404114
@Bilal-Gore
wood (plant material): AAT: 300011914
ancestors: AAT: 300255718
ancestor veneration: AAT: 300400471
*Arts of the Pacific Islands
Moluccas (island group/Indonesia): TGN: 7003958
souls (spirits / beings): AAT: 300379821
Leti Kepulauan (island group/Indonesia): TGN: 1010102
source file
object_notes_2_c-0244.xml.nores