2005.14 Ring depicting human sacrifice


GENERAL DESCRIPTION  
This casting depicts human sacrifice with images of severed heads and vultures feasting on bound and decapitated bodies. This ring also features an official from the society known as Ogboni or Oshugbo—worshippers of the Earth and a major political force. Dressed in regalia, the figure has scarification on his forehead, a tortoise, a pair of hairpin-like forms, and a vessel. The figures in this scene, identified through Yoruba oral traditions and religious beliefs, may be participating in an installation ceremony for the ruler of a satellite Yoruba kingdom that involved sacrifice and reporting of this deed to the paramount king of the Yoruba, the Oni of Ife.

In the distant past, Yoruba societies and provincial regions under their influence practiced human sacrifice in the context of grave rituals that benefited the entire community. Here, the vulture is a messenger of the gods, and his presence indicates the gods’ acceptance of the sacrifice.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES%

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private collection

Around 1975: Merton Simpson Collection, New York

1982-2005: Hon. Robert Loder Collection, London, acquired from above

2005: Dallas Museum of Art, purchased through L & R Entwhistle Co. Ltd., London

Notes:
The main source for this provenance is the document 'Invoice MB02013 le' in the Collections Records object file.

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Apply to objects where number equals 2005.14

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General Description
 
This casting depicts human sacrifice with images of severed heads and vultures feasting on bound and decapitated bodies. This ring also features an official from the society known as Ogboni or Oshugbo—worshippers of the Earth and a major political force. Dressed in regalia, the figure has scarification on his forehead, a tortoise, a pair of hairpin-like forms, and a vessel. The figures in this scene, identified through Yoruba oral traditions and religious beliefs, may be participating in an installation ceremony for the ruler of a satellite Yoruba kingdom that involved sacrifice and reporting of this deed to the paramount king of the Yoruba, the Oni of Ife.

In the distant past, Yoruba societies and provincial regions under their influence practiced human sacrifice in the context of grave rituals that benefited the entire community. Here, the vulture is a messenger of the gods, and his presence indicates the gods’ acceptance of the sacrifice.

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes
%

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private collection

Around 1975: Merton Simpson Collection, New York

1982-2005: Hon. Robert Loder Collection, London, acquired from above

2005: Dallas Museum of Art, purchased through L & R Entwhistle Co. Ltd., London

Notes:
The main source for this provenance is the document 'Invoice MB02013 le' in the Collections Records object file.

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
number
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2005.14
tags
#draft
#completed
%copyedited_Gail
%Archived
deities: AAT: 300343850
king: AAT: 300025481
ritual (events): AAT: 300065284
sacrifices: AAT: 300263243
ceremonies: AAT: 300054754
@Bilal-Gore
*Arts of Africa
Nigeria (nation): TGN: 1000182
Yoruba: AAT: 300016031
casting (process): AAT: 300053104
regalia: AAT: 300185696
worship: AAT: 300056005
oral tradition: AAT: 300262982
copper alloy: AAT: 300010942
scarifications (visual works): AAT: 300262452
Ife: AAT: 300015795
vultures (birds/animals): AAT: 300310582
tortoises (animals): AAT: 300250297
Ogboni: AAT: 300400888
source file
object_notes_2_c-0240.xml.nores