GENERAL DESCRIPTION
Trade items and local goldwork are harmoniously combined in this necklace, which is more Western in form than most Indonesian jewelry. The beads probably originated in East Timor. The shapes of the three gold pendants suggest highly stylized human figures or trophy heads from raids: circular heads crown two armlike arcs, which merge gracefully with wide diamond-shaped bodies.
Excerpt from
Roslyn A. Walker, Label text, 2013.
NOTES
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PROVENANCE
Until 2008: Nasher Collection, Dallas, Texas
2008: Dallas Museum of Art, gift of the Nasher Foundation in honor of Patsy R. and Raymond D. Nasher
Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2008.52-73).
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Apply to objects where number equals 2008.72
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General Description
Trade items and local goldwork are harmoniously combined in this necklace, which is more Western in form than most Indonesian jewelry. The beads probably originated in East Timor. The shapes of the three gold pendants suggest highly stylized human figures or trophy heads from raids: circular heads crown two armlike arcs, which merge gracefully with wide diamond-shaped bodies.
Excerpt from
Roslyn A. Walker, Label text, 2013.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: Nasher Collection, Dallas, Texas
2008: Dallas Museum of Art, gift of the Nasher Foundation in honor of Patsy R. and Raymond D. Nasher
Notes:
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file (2008.52-73).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2008.72
source file
object_notes_2_c-0218.xml.nores