1985.R.886.2, Arbor pattern salt cellar, porcelain, Cornelis Pronk (designer), Jingdezhen, China, c. 1738-1740


GENERAL DESCRIPTION  
Because of its strong Western composition and coloring, the so-called Arbor pattern has been attributed to Cornelis Pronk even though no specific drawings survive for it, unlike The Parasol Ladies pattern (see 1985.R.1077.1). However, there exists a watercolor by Pronk of a tea pavilion in a Haarlem park dating from around 1730, and it is possible that the artist adapted this earlier effort for the porcelain. This design was apparently the fourth made especially for the Dutch East India Company. It was finished in 1737 and delivered to China two years later. 

This example was originally part of a dinner service. In 1740, six sets consisting of 371 pieces were sent to the Netherlands. Three services were in underglaze blue, and the others were enameled, as here. 

The salt cellar depicts two Sino-European ladies under a yew hedge arbor with four children about and three ducks swimming in the foreground. The palette of the wide chain motif and topiary arbor is a lush green. The appearance of the ladies is quite similar to those in the Parasol plates, though these are executed with greater finesse. 

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 103.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 195.
  • Label text, Reves Galleries, Porcelain Gallery

NOTES
TMS updates
provenance
place of origin
search dates
text entry

MARKED TMS Pending again as I found additional label copy -- below

The "arbor" under which the Sino European ladies are placed appears to have been inspired by a European topiary yew hedge. The finely painted rows of shells and plumes are European in character and relate to the motifs on a tea service designed by Pronk. Note the occasional use of famille rose enamel. 

Though the ladies on the wares are similar to the Parasol Ladies, these are painted with greater finesse. The shapes of the border cartouches are European, though the flowers, fruits, and insects within are traditional Chinese motifs. Excerpt from Label text, Reves Galleries, Porcelain Gallery, 2018

Catalogue essays

Artist/designers

Cultures

Geography 

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RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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WEB RESOURCES 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

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General Description
 
Because of its strong Western composition and coloring, the so-called Arbor pattern has been attributed to Cornelis Pronk even though no specific drawings survive for it, unlike The Parasol Ladies pattern (see 1985.R.1077.1). However, there exists a watercolor by Pronk of a tea pavilion in a Haarlem park dating from around 1730, and it is possible that the artist adapted this earlier effort for the porcelain. This design was apparently the fourth made especially for the Dutch East India Company. It was finished in 1737 and delivered to China two years later. 

This example was originally part of a dinner service. In 1740, six sets consisting of 371 pieces were sent to the Netherlands. Three services were in underglaze blue, and the others were enameled, as here. 

The salt cellar depicts two Sino-European ladies under a yew hedge arbor with four children about and three ducks swimming in the foreground. The palette of the wide chain motif and topiary arbor is a lush green. The appearance of the ladies is quite similar to those in the Parasol plates, though these are executed with greater finesse. 

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 103.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 195.
  • Label text, Reves Galleries, Porcelain Gallery

Fun Facts

Archival Resources

Web Resources
 
The Metropolitan Museum of Art~Read more about Chinese Export Porcelain

Notes
TMS updates
provenance
place of origin
search dates
text entry

MARKED TMS Pending again as I found additional label copy -- below

The "arbor" under which the Sino European ladies are placed appears to have been inspired by a European topiary yew hedge. The finely painted rows of shells and plumes are European in character and relate to the motifs on a tea service designed by Pronk. Note the occasional use of famille rose enamel. 

Though the ladies on the wares are similar to the Parasol Ladies, these are painted with greater finesse. The shapes of the border cartouches are European, though the flowers, fruits, and insects within are traditional Chinese motifs. Excerpt from Label text, Reves Galleries, Porcelain Gallery, 2018

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.886.1-2
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*Decorative Arts and Design
decorative arts: AAT: 300054168
@bartsch-allen
tableware: AAT: 300043196
saltcellars: AAT: 300203164
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Reves_Emery: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
borders (ornament areas): AAT: 300010252
plates (dishes): AAT: 300042991
dishes: AAT: 300042991
China (nation): TGN: 1000111
Asia (continent): TGN: 1000004
enamels: AAT: 300178264
porcelain (visual works): AAT: 300386874
porcelain (material): AAT: 300010662
enameling: AAT: 300053773
enamel (fused coating): AAT: 300014910
enamel paint: AAT: 300147678
Chinese export porcelain: AAT: 300387409
famille (ceramics style): AAT: 300265757
Jingdezhen (China): TGN: 1069298
flower (plant material): AAT: 300264247
flower (motif): AAT: 300375563
famille rose (ceramics style): AAT: 300254689
cartouches (ornament): AAT: 300010256
Netherlands (nation): TGN: 7016845
famille verte (ceramics style): AAT: 300265759
dinner services: AAT: 300227296
underglazing (pottery): AAT: 300048642
Dutch East India Company: DMA
insects (animals): AAT: 300310470
Cornelis_Pronk: ULAN: 500010052
arbors: AAT: 300006781
source file
object_notes_2_c-0214.xml.nores