1991.48 Albrecht Durer, Harrowing of Hell


GENERAL DESCRIPTION  
Under the crumbling gate of hell, Jesus, crowned with light and dressed in sweeping robes, pulls up the condemned and grants them salvation. This apocryphal, or non-canonical, scene describes the events that occurred between Jesus’s crucifixion and resurrection. Adam and Eve, who exchange touching glances, are seen under the archway with Moses shown behind them. These three Old Testament figures were among those guided into heaven by Jesus.  

To capture the terrors of hell, Albrecht Dürer incorporated two monsters: a wingless dragon climbing over the archway and pointing a menacing spear at Adam, and another emerging from behind the broken-down door. The threatening spikes, claws, teeth, and spear of the monsters are all prominently featured and are meant to instill fear into viewers; it is because of these kinds of details that Dürer became regarded as a master of the print medium. 

Adapted from
  • Laura Sevelis, DMA label copy, March 2015.
  • Carl Wuellner, DMA label copy, December 2003.

NOTES
Series- The Engraved Passion, 1507-1512, published 1512, created in Nuremberg

General Description: Sevelis from Saints and Monsters: Prints by Albrecht Dürer, Wuellner from Black Lines Only: Engravings and Woodcuts by Albrecht Dürer

Create term defined- Cerebus?

Depicted Individuals- Adam and Eve

Added Saints and Monsters label copy to TMS as a text entry.

Changed the object name from Print to Engraving. Changed the medium from Engraving to ink on paper.

Add information to existing TMS label copy by Wuellner. The texts were written for "With Black Lines Only: Engravings and Woodcuts by Albrecht Dürer" (December 21, 2003- March 28, 2004).

Deleted the text in the exhibition history field for "With Black Lines Only" because it was duplicated by an exhibition record already entered in TMS and related to this object. 

DMA Friends Activity- puzzle brochures by Danielle Shulz and Tanya Miller for the Saints and Monsters exhibition- Fall 2015
HOW TO FIND THIS?

Alternate title- Christ in Limbo
Alternate title- Christ Descending into Hell


Provenance (not public)
From 1991: Dallas Museum of Art, anonymous gift

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Nuremberg (Germany): TGN: 7004334

Process/materials

Historical periods

Individuals
Jesus Christ
Adam
Eve
Moses (behind Adam and Eve)
St. John the Baptist (Christ is reaching for him)

Subject terms
hell
underworld
gateway
mythical beings
Christianity
arch
monogram
staff
souls
flame
drapery
robes
nude
spears
Latin cross
fur
banner
beards
halos
fear
salvation
dragon
teeth

RELATED OBJECTS 

PROVENANCE 


AUDIO ASSETS 
Josh Rose, Saints and Monsters: Prints by Albrecht Durer, gallery talk, June 17, 2015.
248141244: UMO 
Connection made by confirming exhibition in TMS and Piction ID correct.

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • Inside Albrecht Dürer's Studio- Engraving~Watch this demonstration and explanation of the engraving process created by the Sterling and Francine Clark Art Institute for the exhibition, The Strange World of Albrecht Dürer (November 14, 2010- March 13, 2011).

ARCHIVAL RESOURCES

FUN FACTS
  • Greek mythology also describes a vicious guardian of the gates to the underworld, Cerberus. In Greek art and later classicist imagery, Cerberus appears as a multi-headed dog with snakes protruding from his body.

TEACHING IDEAS

RULES
Apply to objects where number equals 1991.48

Category
rules_operator
AND
General Description
 
Under the crumbling gate of hell, Jesus, crowned with light and dressed in sweeping robes, pulls up the condemned and grants them salvation. This apocryphal, or non-canonical, scene describes the events that occurred between Jesus’s crucifixion and resurrection. Adam and Eve, who exchange touching glances, are seen under the archway with Moses shown behind them. These three Old Testament figures were among those guided into heaven by Jesus.  

To capture the terrors of hell, Albrecht Dürer incorporated two monsters: a wingless dragon climbing over the archway and pointing a menacing spear at Adam, and another emerging from behind the broken-down door. The threatening spikes, claws, teeth, and spear of the monsters are all prominently featured and are meant to instill fear into viewers; it is because of these kinds of details that Dürer became regarded as a master of the print medium. 

Adapted from
  • Laura Sevelis, DMA label copy, March 2015.
  • Carl Wuellner, DMA label copy, December 2003.

Fun Facts
  • Greek mythology also describes a vicious guardian of the gates to the underworld, Cerberus. In Greek art and later classicist imagery, Cerberus appears as a multi-headed dog with snakes protruding from his body.

Archival Resources

Web Resources
 
  • Inside Albrecht Dürer's Studio- Engraving~Watch this demonstration and explanation of the engraving process created by the Sterling and Francine Clark Art Institute for the exhibition, The Strange World of Albrecht Dürer (November 14, 2010- March 13, 2011).

Notes
Series- The Engraved Passion, 1507-1512, published 1512, created in Nuremberg

General Description: Sevelis from Saints and Monsters: Prints by Albrecht Dürer, Wuellner from Black Lines Only: Engravings and Woodcuts by Albrecht Dürer

Create term defined- Cerebus?

Depicted Individuals- Adam and Eve

Added Saints and Monsters label copy to TMS as a text entry.

Changed the object name from Print to Engraving. Changed the medium from Engraving to ink on paper.

Add information to existing TMS label copy by Wuellner. The texts were written for "With Black Lines Only: Engravings and Woodcuts by Albrecht Dürer" (December 21, 2003- March 28, 2004).

Deleted the text in the exhibition history field for "With Black Lines Only" because it was duplicated by an exhibition record already entered in TMS and related to this object. 

DMA Friends Activity- puzzle brochures by Danielle Shulz and Tanya Miller for the Saints and Monsters exhibition- Fall 2015
HOW TO FIND THIS?

Alternate title- Christ in Limbo
Alternate title- Christ Descending into Hell


Provenance (not public)
From 1991: Dallas Museum of Art, anonymous gift

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Nuremberg (Germany): TGN: 7004334

Process/materials

Historical periods

Individuals
Jesus Christ
Adam
Eve
Moses (behind Adam and Eve)
St. John the Baptist (Christ is reaching for him)

Subject terms
hell
underworld
gateway
mythical beings
Christianity
arch
monogram
staff
souls
flame
drapery
robes
nude
spears
Latin cross
fur
banner
beards
halos
fear
salvation
dragon
teeth

RELATED OBJECTS 

PROVENANCE 


AUDIO ASSETS 
Josh Rose, Saints and Monsters: Prints by Albrecht Durer, gallery talk, June 17, 2015.
248141244: UMO 
Connection made by confirming exhibition in TMS and Piction ID correct.

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1991.48
tags
#draft
#completed
nude: AAT: 300189568
%Archived
mythical or legendary beings: AAT: 300375725
@Schiller
#routed
*European Art
Christianity: AAT: 300073711
Latin crosses (crosses): AAT: 300010072
robes: AAT: 300209852
drapery (representations): AAT: 300262585
Bible stories: AAT: 300263184
arches: AAT: 300000994
halos (glories): AAT: 300375684
beards: AAT: 300379263
fires (events): AAT: 300068986
staffs (staff weapon components): AAT: 300204653
underworld (doctrinal concept): AAT: 300343823
paper (fiber product): AAT: 300014109
monograms: AAT: 300010038
hell (doctrinal concept): AAT: 300185657
Nuremberg (Germany): TGN: 7004334
ink: AAT: 300015012
spears (weapons): AAT: 300037038
dragons (mythical beings): AAT: 300375726
souls (spirits / beings): AAT: 300379821
fear: AAT: 300055160
banners: AAT: 300195679
teeth (animal components): AAT: 300400467
Durer_Albrecht: ULAN: 500115493
engravings (prints): AAT: 300041340
engraving (printing process): AAT: 300053225
248141244: UMO
passions (document genre): AAT: 300380304
passion cycles: AAT: 300256501
fur (hair material): AAT: 300011811
gateways: AAT: 300069189
salvation: AAT: 300056003
source file
object_notes_2_c-0144.xml.nores