GENERAL DESCRIPTION
NOTES
Entered provenance, exhibition history, and references from the most recent research document.
This and other Reves works that are framed bring up the question of how to communicate the value and import of frames visually, historically, and as artistic creations themselves. For example, notes from this object's accession include comments on the frame-- French, early Louis XIV running pattern, walnut with gilding (de cappé finish).
Added former titles:
Cerises dans une Assiette (plate 1618 in J. Dauberville and H. Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. I, (Paris, 1965), 58.)
Le Cerises (title used by Alex Reid & Lefevre, Ltd. (an art gallery), London
FUN FACTS- source- ("Reves Collection outline," research notes, Dallas Museum of Art, education files.)
Removed TMS tag because rule exists.
Provenance:
n.d.: Arthur Jeffress, London
n.d.: R. C. Cookson, London
1954-1957: Alex Reid & Lefevre, Ltd. (an art gallery), London
1957-1985: Wendy (1916-2007) and Emery Reves (1904-1918), Villa La Pausa, Roquebrune, France, purchased from the above, July 12, 1957
From 1985: Dallas Museum of Art, gift from the above
Notes:
The primary source for this provenance is J. Dauberville and H. Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. I, (Paris, 1965), 58.
Catalogue essays
Artist/designers
Cultures
Geography
Place of origin: Le Cannet (inhabited place/France): TGN: 7009270
Process/materials
panel
wood
Historical periods
Individuals
Subject terms
cherries
table
still life
yellow
red
viewpoint
flat
distortion
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
- When this painting was in Wendy and Emery Reves's home, Villa La Pausa, it resided on a small easel. This type of intimate, personal display developed in the 1860s and 1870s as a way to enable the private individual to inspect the surface of an artwork up close.
TEACHING IDEAS
RULES
Apply to objects where number equals 1985.R.2
Category
rules_operator
AND
General Description
Fun Facts
- When this painting was in Wendy and Emery Reves's home, Villa La Pausa, it resided on a small easel. This type of intimate, personal display developed in the 1860s and 1870s as a way to enable the private individual to inspect the surface of an artwork up close.
Archival Resources
Web Resources
Notes
Entered provenance, exhibition history, and references from the most recent research document.
This and other Reves works that are framed bring up the question of how to communicate the value and import of frames visually, historically, and as artistic creations themselves. For example, notes from this object's accession include comments on the frame-- French, early Louis XIV running pattern, walnut with gilding (de cappé finish).
Added former titles:
Cerises dans une Assiette (plate 1618 in J. Dauberville and H. Dauberville, Bonnard: Catalogue Raisonné de l’Oeuvre Peint, Vol. I, (Paris, 1965), 58.)
Le Cerises (title used by Alex Reid & Lefevre, Ltd. (an art gallery), London
rules
Apply To
Objects
number
Equals
1985.R.2
source file
object_notes_2_c-0097.xml.nores