GENERAL DESCRIPTION
NOTES
Did not change the medium from Lithograph to Color lithograph because I have not adequately researched and formulated a solution to the cataloging of works on paper in the collection. I have made note of this discrepancy in my records to change at a future date.
Added sources:
Ives, Colta, Helen Gianbruni, and Sasha M. Newman, "Pierre Bonnard: The Graphic Art," (New York: Metropolitan Museum of Art, 1989), p. 239. Book available to read online or download through MetPublications, http://www.metmuseum.org/research/metpublications/Pierre_Bonnard_The_Graphic_Art
Cate, Phillip Dennis, Gale B. Murphy, Richard Thomson. "Prints Abound: in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art," (National Gallery of Art Washington, 2000), no. 15, page 162, (illus.).
Verlag, Insel. "Das Mappenwerk der Insel," (Leipzeg: Insel-Verlag, 1900).
Francis Bouvet, "Bonnard: The Complete Graphic Work," (New York: Rizzoli, 1981), no. 72.
Added text entry explaining two possible publications:
According to Cate (2000), page 162, this image appeared in "Album-Pen," no. 2, with introductory text by Gustave Geffroy, (editions de la 'Maison Moderne,' Paris, 1900). The catalogue does not offer additional information on this publication.
According to Ives (1989), page 239, this image appeared in the portfolio "Das Mappenwerk der Insel." This was a portfolio of forty lithographs, etchings, woodcuts, and facsimiles issued by the journal "Die Insel." A stamp confirming this distribution method may be located on the verso or margin of the print. Getty Cultural Object Naming Authority gives additional information on this portfolio as containing twenty-four original prints by Anton Albers, Paul Baum, Pierre Bonnard, Frank Brangwyn, Eugène Delâtre, Maurice Denis, James Ensor, Ernst Moritz Geyger, Wilhelm Laage, Georges Lemmen, Max Liebermann, William Nicholson, Auguste Rodin, Max Arthur Stremel, Hans Thoma, Heinrich Vogeler, Edouard Vuillard, Emil Rudolf Weiss, Ybels, and Ignacio Zuloaga.
Provenance (not public)
Before 2000: Alfred and Juanita Bromberg, Dallas, TX
After 2000: Dallas Museum of Art, Foundation for the Arts Collection, gift from the above [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
Catalogue essays
Artist/designers
Cultures
Geography
Depicted location and place of origin: Paris (France): TGN: 7008038
Process/materials
Historical periods
Individuals
Subject terms
red
tree
building
facade
figures
horse
carriage
hat
women
windows
cityscape
dress
hat
child
motion
avant-garde
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Pierre Bonnard: The Graphic Art (1989)~Read or download this exhibition catalogue from the Metropolitan Museum of Art.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2000.207.FA
Category
rules_operator
AND
General Description
Fun Facts
Archival Resources
Web Resources
- Pierre Bonnard: The Graphic Art (1989)~Read or download this exhibition catalogue from the Metropolitan Museum of Art.
Notes
Did not change the medium from Lithograph to Color lithograph because I have not adequately researched and formulated a solution to the cataloging of works on paper in the collection. I have made note of this discrepancy in my records to change at a future date.
Added sources:
Ives, Colta, Helen Gianbruni, and Sasha M. Newman, "Pierre Bonnard: The Graphic Art," (New York: Metropolitan Museum of Art, 1989), p. 239. Book available to read online or download through MetPublications, http://www.metmuseum.org/research/metpublications/Pierre_Bonnard_The_Graphic_Art
Cate, Phillip Dennis, Gale B. Murphy, Richard Thomson. "Prints Abound: in the 1890s, from the Collections of Virginia and Ira Jackson and the National Gallery of Art," (National Gallery of Art Washington, 2000), no. 15, page 162, (illus.).
Verlag, Insel. "Das Mappenwerk der Insel," (Leipzeg: Insel-Verlag, 1900).
Francis Bouvet, "Bonnard: The Complete Graphic Work," (New York: Rizzoli, 1981), no. 72.
Added text entry explaining two possible publications:
According to Cate (2000), page 162, this image appeared in "Album-Pen," no. 2, with introductory text by Gustave Geffroy, (editions de la 'Maison Moderne,' Paris, 1900). The catalogue does not offer additional information on this publication.
According to Ives (1989), page 239, this image appeared in the portfolio "Das Mappenwerk der Insel." This was a portfolio of forty lithographs, etchings, woodcuts, and facsimiles issued by the journal "Die Insel." A stamp confirming this distribution method may be located on the verso or margin of the print. Getty Cultural Object Naming Authority gives additional information on this portfolio as containing twenty-four original prints by Anton Albers, Paul Baum, Pierre Bonnard, Frank Brangwyn, Eugène Delâtre, Maurice Denis, James Ensor, Ernst Moritz Geyger, Wilhelm Laage, Georges Lemmen, Max Liebermann, William Nicholson, Auguste Rodin, Max Arthur Stremel, Hans Thoma, Heinrich Vogeler, Edouard Vuillard, Emil Rudolf Weiss, Ybels, and Ignacio Zuloaga.
Provenance (not public)
Before 2000: Alfred and Juanita Bromberg, Dallas, TX
After 2000: Dallas Museum of Art, Foundation for the Arts Collection, gift from the above [1]
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
Catalogue essays
Artist/designers
Cultures
Geography
Depicted location and place of origin: Paris (France): TGN: 7008038
Process/materials
Historical periods
Individuals
Subject terms
red
tree
building
facade
figures
horse
carriage
hat
women
windows
cityscape
dress
hat
child
motion
avant-garde
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2000.207.FA
source file
object_notes_2_c-0095.xml.nores