1987.43 William Henry Huddle, Old Slave


GENERAL DESCRIPTION  
Although the depiction of African American men as musicians had a long and clichéd history in American art, William Henry Huddle’s careful draftsmanship and sensitive portrayal of his elderly sitter lifts the portrait above the 19th-century stereotype of the minstrel. Huddle studied in New York at the National Academy of Design and the Art Students League from 1874 to 1876. He then settled permanently in Austin, Texas, where he soon received a commission from the legislature for the portraits of the state’s former presidents and governors.

Excerpt from
William Keyse Rudolph, DMA label text, 2005.

NOTES
c. 1889        

Object File reviewed

"For years the artist had searched for such a model. One day on Sixth St., Austin, Texas, he saw Mose and asked him to pose for him. Mose consented but when he was asked to hold a violin for the portrait he refused, saying it was the instrument of the devil. The artist told him that angels in heaven played them, also the lyre, and harp, and Mose said 'Boss, give me that fiddle.'" On paper found in Object File. 

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Austin (Texas/United States): TGN: 7013346

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1987: Dallas Museum of Art, The Karl and Esther Hobitzelle Collection, gift of the Hobitzelle Foundation

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Apply to objects where number equals 1987.43

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General Description
 
Although the depiction of African American men as musicians had a long and clichéd history in American art, William Henry Huddle’s careful draftsmanship and sensitive portrayal of his elderly sitter lifts the portrait above the 19th-century stereotype of the minstrel. Huddle studied in New York at the National Academy of Design and the Art Students League from 1874 to 1876. He then settled permanently in Austin, Texas, where he soon received a commission from the legislature for the portraits of the state’s former presidents and governors.

Excerpt from
William Keyse Rudolph, DMA label text, 2005.

Fun Facts

Archival Resources

Web Resources
 
Notes
c. 1889        

Object File reviewed

"For years the artist had searched for such a model. One day on Sixth St., Austin, Texas, he saw Mose and asked him to pose for him. Mose consented but when he was asked to hold a violin for the portrait he refused, saying it was the instrument of the devil. The artist told him that angels in heaven played them, also the lyre, and harp, and Mose said 'Boss, give me that fiddle.'" On paper found in Object File. 

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Austin (Texas/United States): TGN: 7013346

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1987: Dallas Museum of Art, The Karl and Esther Hobitzelle Collection, gift of the Hobitzelle Foundation

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1987.43
tags
#draft
#completed
%copyedited_Gail
sitting (seated): AAT: 300263970
oil paint: AAT: 300015050
*American Art
@Russell
#routed
hands (animal or human components): AAT: 300310193
beards: AAT: 300379263
portrait: AAT: 300015637
shirts (camisas / main garments): AAT: 300212499
coats (garments): AAT: 300046143
moustaches: AAT: 300379264
three-quarter views: AAT: 300117363
bald (hairstyle): DMA
Huddle_William Henry: ULAN: 500333039
Austin (Texas/United States): TGN: 7013346
violins: AAT: 300042215
source file
object_notes_2_c-0076.xml.nores