GENERAL DESCRIPTION
The title of this sculpture refers to the Minotaur, a fearsome character in Greek mythology that is half human, half bull. Marcel Dzama pieces together various sculpted and found elements into a figure that vaguely suggests that ancient creature, but nonetheless speaks distinctly of the present. The chair, paint can, and ineffectual-looking gun are composed of everyday, industrial materials; the Minotaur's body is made from crudely modeled plaster. These elements lend the sculpture a makeshift, vulnerable quality that belies its assumed role as guardian.
Adapted from
Charles Wylie, Private Universes, 2009.
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PROVENANCE
Until 2008: David Zwirner, Inc., New York, NY
From 2008: Dallas Museum of art, purchased from above [1]
[1] See document titled "On Approval Agreement" from David Zwirner Gallery in Collections Records Object File 2008.43.2.A-E
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General Description
The title of this sculpture refers to the Minotaur, a fearsome character in Greek mythology that is half human, half bull. Marcel Dzama pieces together various sculpted and found elements into a figure that vaguely suggests that ancient creature, but nonetheless speaks distinctly of the present. The chair, paint can, and ineffectual-looking gun are composed of everyday, industrial materials; the Minotaur's body is made from crudely modeled plaster. These elements lend the sculpture a makeshift, vulnerable quality that belies its assumed role as guardian.
Adapted from
Charles Wylie, Private Universes, 2009.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2008: David Zwirner, Inc., New York, NY
From 2008: Dallas Museum of art, purchased from above [1]
[1] See document titled "On Approval Agreement" from David Zwirner Gallery in Collections Records Object File 2008.43.2.A-E
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2008.43.2.A-E
source file
object_notes_2_c-0050.xml.nores