2018.14 Derick Baegert, The Descent from the Cross


GENERAL DESCRIPTION  
This impressive painting was probably part of a large altarpiece featuring scenes related to the life and death of Jesus Christ. The Descent from the Cross illustrates the immediate aftermath of Christ’s crucifixion, when Joseph of Arimathea, Mary Magdalene, and Nicodemus retrieve Christ’s lifeless body. In the foreground, the Virgin Mary, Christ’s mother, is collapsed in grief and comforted by Saint John. Behind them, Mary Salome raises her hands in distress. In the upper right, the artist depicts the Virgin and Saint John during an earlier moment in the story as they travel to the crucifixion site. In the upper left is a town likely intended to represent Jerusalem.

A master of illusionistic realism, Derick Baegert carefully rendered each protagonist’s face with the precision and individualism of a portrait. His technical virtuosity and attention to the smallest details observed from life, such as the wrinkles in Christ’s skin around Mary Magdalene’s fingertips, heighten the scene’s emotional impact. Baegert’s inclusion of contemporary elements in a biblical narrative is typical of medieval and Renaissance painting. In addition to the 15th-century northern European architecture in the background, the women wear luxurious fabrics and complex headdresses that reflect the latest courtly fashions in northwest Germany. Baegert created the effect of shimmering brocade fabrics by modeling the design in gesso and covering it with eye-catching gold leaf. 

Excerpt from
Nicole Myers, DMA label copy, 2018.

NOTES
Created c. 1480-1490

Checked Piction

Catalogue essays

Artist/designers
Baegert, Derick (German, c. 1440-c. 1509)

Cultures

Geography 
Depicted location: Golgotha (historic site): TGN: 4002116
Depicted location: Jerusalem (Israel): TGN: 7001371
Place of origin: Rhineland (historical region): TGN: 7003683

Process/materials
Oil on oak panel

Historical periods

Individuals
Jesus Christ
Mary
Joseph of Arimathea
Mary Magdalene
Nicodemus
Saint John
Mary Salome

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 2018.14

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General Description
 
This impressive painting was probably part of a large altarpiece featuring scenes related to the life and death of Jesus Christ. The Descent from the Cross illustrates the immediate aftermath of Christ’s crucifixion, when Joseph of Arimathea, Mary Magdalene, and Nicodemus retrieve Christ’s lifeless body. In the foreground, the Virgin Mary, Christ’s mother, is collapsed in grief and comforted by Saint John. Behind them, Mary Salome raises her hands in distress. In the upper right, the artist depicts the Virgin and Saint John during an earlier moment in the story as they travel to the crucifixion site. In the upper left is a town likely intended to represent Jerusalem.

A master of illusionistic realism, Derick Baegert carefully rendered each protagonist’s face with the precision and individualism of a portrait. His technical virtuosity and attention to the smallest details observed from life, such as the wrinkles in Christ’s skin around Mary Magdalene’s fingertips, heighten the scene’s emotional impact. Baegert’s inclusion of contemporary elements in a biblical narrative is typical of medieval and Renaissance painting. In addition to the 15th-century northern European architecture in the background, the women wear luxurious fabrics and complex headdresses that reflect the latest courtly fashions in northwest Germany. Baegert created the effect of shimmering brocade fabrics by modeling the design in gesso and covering it with eye-catching gold leaf. 

Excerpt from
Nicole Myers, DMA label copy, 2018.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created c. 1480-1490

Checked Piction

Catalogue essays

Artist/designers
Baegert, Derick (German, c. 1440-c. 1509)

Cultures

Geography 
Depicted location: Golgotha (historic site): TGN: 4002116
Depicted location: Jerusalem (Israel): TGN: 7001371
Place of origin: Rhineland (historical region): TGN: 7003683

Process/materials
Oil on oak panel

Historical periods

Individuals
Jesus Christ
Mary
Joseph of Arimathea
Mary Magdalene
Nicodemus
Saint John
Mary Salome

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2018.14
tags
#draft
#completed
loincloths (main garments): AAT: 300209923
%Archived
sacrifices: AAT: 300263243
human figures: AAT: 300404114
oil paint: AAT: 300015050
trees (plants): AAT: 300132410
@Russell
#routed
*European Art
crosses (visual works): AAT: 300235443
robes: AAT: 300209852
drapery (representations): AAT: 300262585
panels (wood by form): AAT: 300014657
blood: AAT: 300011797
altarpieces: AAT: 300075940
Virgin Mary (Blessed Virgin Mary / Christian figure): DMA
Jesus Christ (Christian figure): ULAN: 500344051
Jerusalem (Israel): TGN: 7001371
crucifixions (executions): AAT: 300404300
Bible_New Testament: DMA
illusionism: AAT: 300056536
deaths: AAT: 300151836
cities: AAT: 300008389
buildings (structures): AAT: 300004792
roads: AAT: 300008217
oak (wood): AAT: 300012264
hills: AAT: 300008777
ladders (supporting equipment): AAT: 300022376
headcloths (headgear): AAT: 300213003
thorns (plant material): AAT: 300011912
grief: AAT: 300055162
Golgotha (historic site): TGN: 4002116
Rhineland (historical region): TGN: 7003683
narrative art: 300410510
Baegert_Derick: ULAN: 500015956
source file
object_notes_2_c-0046.xml.nores