1994.11.6 Eva Zeisel, “Tomorrow’s Classic” shape ladle with "Dawn" pattern decoration from the "Hallcraft"line


GENERAL DESCRIPTION  
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shapes upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462. 


Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1994: David T. Owsley, New York, New York [1]  

From 1994: Dallas Museum of Art, gift of the above [1] 

[1] See Dallas Musuem of Art Deed of Gift (dated April 2, 1994, copy in Collections Records Object File). 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
set operator as or
Apply to objects where number equals 1994.11.6
Apply to objects where number equals 1994.11.1-6






Category
rules_operator
OR
General Description
 
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shapes upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute. 

Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462. 

Fun Facts

Archival Resources

Web Resources
 

Notes
Updated image, added essays, and rule - 9/8 (JBA)

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1994: David T. Owsley, New York, New York [1]  

From 1994: Dallas Museum of Art, gift of the above [1] 

[1] See Dallas Musuem of Art Deed of Gift (dated April 2, 1994, copy in Collections Records Object File). 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1994.11.6
Apply To
Objects
number
Equals
1994.11.1-6
tags
#draft
#completed
%copyedited_Gail
glazing (coating): AAT: 300053914
United States (nation): TGN: 7012149
*Decorative Arts and Design
decorative arts: AAT: 300054168
New York (New York/United States): TGN: 7007567
casting (process): AAT: 300053104
@Robinson
Mid-Century Modernist: AAT: 300343610
Ohio (state): TGN: 7007706
ceramic glaze: AAT: 300015092
earthenware: AAT: 300140803
glaze: AAT: 300015091
Zeisel_Eva: ULAN: 500092239
Budapest (Hungary): TGN: 7006280
ladles: AAT: 300200095
East Liverpool (Ohio/United States): TGN: 2079372
Hall China Company: ULAN: 500333086
source file
object_notes_2_c-0038.xml.nores