GENERAL DESCRIPTION
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shapes upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute.
Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462.
NOTES
Updated image, added essays, and rule - 9/8 (JBA)
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PROVENANCE
Until 1994: David T. Owsley, New York, New York [1]
From 1994: Dallas Museum of Art, gift of the above [1]
[1] See Dallas Musuem of Art Deed of Gift (dated April 2, 1994, copy in Collections Records Object File).
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Apply to objects where number equals 1994.11.5
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General Description
Eva Zeisel designed Tomorrow’s Classic around 1950, following the success of her Museum and Town and Country tableware lines. However, it languished until it finally found a champion in Charles Seliger of Commercial Decal, who was in search of a contemporary shapes upon which his firm could place its decals. Hall China Company agreed to produce the line, and from 1951 to about 1960, Tomorrow’s Classic was available in various glazed and printed decorative schemes. Zeisel’s contract stipulated that she supply nine decal patterns initially and an additional three each following year. Some, such as Dawn and Arizona, were created by Seliger, while others, like Frost Flowers and Fantasy, were designed by Zeisel’s studio assistants or her students at the Pratt Institute.
Adapted from
Charles L. Venable, China and Glass in America 1880-1980 (Dallas, TX: Dallas Museum of Art: New York: Harry N. Abrams, Inc., 2000), 462.
Fun Facts
Archival Resources
Web Resources
Notes
Updated image, added essays, and rule - 9/8 (JBA)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1994: David T. Owsley, New York, New York [1]
From 1994: Dallas Museum of Art, gift of the above [1]
[1] See Dallas Musuem of Art Deed of Gift (dated April 2, 1994, copy in Collections Records Object File).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1994.11.5
Apply To
Objects
number
Equals
1994.11.1-6
source file
object_notes_2_c-0032.xml.nores