1963.80.FA Odilon Redon, Initiation to Study—Two Young Ladies


GENERAL DESCRIPTION  
The Symbolist painter Odilon Redon was a contemporary of Claude Monet and other Impressionists; however, his artistic aims differed from theirs. His interest was not in recording the visible world around us, but the world of dreams and imagination, of mysticism and subjective experience. In this painting of an imaginary subject, a woman wearing a blue mantle takes the hand of a younger woman as if to impart secret knowledge. The muted tones and flat, patchy style give the canvas the appearance of an ancient fresco (plaster mural). Redon’s poetic and evocative canvases so captivated the organizers of the 1913 Armory Show in New York that they devoted an entire room to his work. This landmark exhibition, which also traveled to Chicago and Boston, provided many Americans with their first opportunity to see modern European art. Initiation to Study hung at the far right on the rear wall of the Redon Room at the New York show and was purchased by famous collector John Quinn.

Excerpt from
Nicole Myers, DMA label copy, 2017.

NOTES
c. 1905

Checked Piction

Label Copy:
The symbolist painter Redon was a contemporary of Monet and other impressionists, but his artistic aims differed from theirs. His interest was not in the phenomenon of the visual world, but in the world of dreams and imagination, of mysticism and flights of fancy. In this picture of an imaginary but seemingly ancient event, a young woman wearing a symbolic mantle takes the hand of an even younger woman as if to impart some secret truth. Redon's poetic and evocative canvases so captivated the organizers of the 1913 Armory Show in New York that they devoted an entire room to his work. This landmark exhibition, which also traveled to Chicago and Boston, provided many Americans with a first opportunity to see modern European art. "Initiation to Study", which hung at the far right on the rear wall of the Redon Room at the New York show, attracted the attention of the famous collector John Quinn, who bought the painting for $675.
Museum of Europe Label Text
August 1993

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Place of origin: France (nation): TGN: 1000070

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General Description
 
The Symbolist painter Odilon Redon was a contemporary of Claude Monet and other Impressionists; however, his artistic aims differed from theirs. His interest was not in recording the visible world around us, but the world of dreams and imagination, of mysticism and subjective experience. In this painting of an imaginary subject, a woman wearing a blue mantle takes the hand of a younger woman as if to impart secret knowledge. The muted tones and flat, patchy style give the canvas the appearance of an ancient fresco (plaster mural). Redon’s poetic and evocative canvases so captivated the organizers of the 1913 Armory Show in New York that they devoted an entire room to his work. This landmark exhibition, which also traveled to Chicago and Boston, provided many Americans with their first opportunity to see modern European art. Initiation to Study hung at the far right on the rear wall of the Redon Room at the New York show and was purchased by famous collector John Quinn.

Excerpt from
Nicole Myers, DMA label copy, 2017.

Fun Facts

Archival Resources

Web Resources
 
Notes
c. 1905

Checked Piction

Label Copy:
The symbolist painter Redon was a contemporary of Monet and other impressionists, but his artistic aims differed from theirs. His interest was not in the phenomenon of the visual world, but in the world of dreams and imagination, of mysticism and flights of fancy. In this picture of an imaginary but seemingly ancient event, a young woman wearing a symbolic mantle takes the hand of an even younger woman as if to impart some secret truth. Redon's poetic and evocative canvases so captivated the organizers of the 1913 Armory Show in New York that they devoted an entire room to his work. This landmark exhibition, which also traveled to Chicago and Boston, provided many Americans with a first opportunity to see modern European art. "Initiation to Study", which hung at the far right on the rear wall of the Redon Room at the New York show, attracted the attention of the famous collector John Quinn, who bought the painting for $675.
Museum of Europe Label Text
August 1993

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: France (nation): TGN: 1000070

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1963.80.FA
tags
#draft
#completed
women: AAT: 300025943
%Archived
@Russell
blue (color): AAT: 300129361
#routed
*European Art
hands (animal or human components): AAT: 300310193
Symbolist (style): AAT: 300021514
dreams: AAT: 300251611
Nabis: ULAN: 500272193
Redon_Odilon: ULAN: 500007292
mantles (lliclla / outerwear): AAT: 300212298
source file
object_notes_2_c-0021.xml.nores