2008.12.1.A-M, The World Won't Listen


GENERAL DESCRIPTION
In 2004, Phil Collins undertook the making of the world won't listen, which, in its completed form (as the artist originally envisioned it) had its world premiere at the Dallas Museum of Art, November 9, 2007-March 23, 2008. The first chapter was filmed in Bogotá, Columbia, where Collins worked with local musicians to produce a fully functioning karaoke machine; the second was filmed in Istanbul, Turkey, and was included in the 9th International Istanbul Biennial; and the third was filmed in Jakarta and Bandung, Indonesia. In each of these three culturally diverse countries, the artist spent extended periods of time researching, lecturing, building sets, and filming; the filming was followed by an intensive and extensive editing period. He went on the radio and television, visited dance clubs, and posted flyers throughout each city, inviting participants to come and perform their favorite songs from the 1987 album The World Won't Listen by the highly influential British indie-band The Smiths.

Insightfully combining art, pop music, and popular culture, Collins has created a sympathetic, occasionally heartbreaking, and, at times, funny portrait of humanity. Performing and singing their favorite lyrics, these fans remind us of our own painful desire and struggle for expression or, as the artist has beautifully said, "the sweet agony of self-fulfillment and self-limitation."

Adapted from
Suzanne Weaver, DMA unpublished material, 2008.

NOTES
  • DMA unpublished material = Suzanne Weaver, "Acquisition Proposal," January 24, 2008. In Collections Records object file.
  • Concentrations 52 - Phil Collins: the world won't listen (added to TMS exhibition module) [Exhibition ID: 11763]

Catalogue essays specific to object

Artist/designers

Cultures

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 2008: Phil Collins, b. 1970

2008: Dallas Museum of Art, Gayle and Paul Stoffel Fund for Contemporary Art and gift of Marguerite Steed Hoffman, purchased from Tanya Bonakdar Gallery, New York

Notes:
The main source of this provenance is the copy of  "Invoice #3791" dated January 23, 2008 in the Collections Records object file.

AUDIO ASSETS
  • Phil Collins exhibition opening lecture, 13315069: UMO (added to related objects in Piction, added UMO tag, HAB 1/17.2018)
  • Simon Reynolds lecture "Art into Rock," 13315255: UMO (already in related objects in Piction, HAB 1/17/2018)

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES
  • UbuWeb~Watch El Mundo No Escuchará.

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
apply to objects where number equals 2008.12.1.A-M

Category
rules_operator
AND
General Description
In 2004, Phil Collins undertook the making of the world won't listen, which, in its completed form (as the artist originally envisioned it) had its world premiere at the Dallas Museum of Art, November 9, 2007-March 23, 2008. The first chapter was filmed in Bogotá, Columbia, where Collins worked with local musicians to produce a fully functioning karaoke machine; the second was filmed in Istanbul, Turkey, and was included in the 9th International Istanbul Biennial; and the third was filmed in Jakarta and Bandung, Indonesia. In each of these three culturally diverse countries, the artist spent extended periods of time researching, lecturing, building sets, and filming; the filming was followed by an intensive and extensive editing period. He went on the radio and television, visited dance clubs, and posted flyers throughout each city, inviting participants to come and perform their favorite songs from the 1987 album The World Won't Listen by the highly influential British indie-band The Smiths.

Insightfully combining art, pop music, and popular culture, Collins has created a sympathetic, occasionally heartbreaking, and, at times, funny portrait of humanity. Performing and singing their favorite lyrics, these fans remind us of our own painful desire and struggle for expression or, as the artist has beautifully said, "the sweet agony of self-fulfillment and self-limitation."

Adapted from
Suzanne Weaver, DMA unpublished material, 2008.

Fun Facts

Archival Resources

Web Resources
  • UbuWeb~Watch El Mundo No Escuchará.

Notes
  • DMA unpublished material = Suzanne Weaver, "Acquisition Proposal," January 24, 2008. In Collections Records object file.
  • Concentrations 52 - Phil Collins: the world won't listen (added to TMS exhibition module) [Exhibition ID: 11763]

Catalogue essays specific to object

Artist/designers

Cultures

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 2008: Phil Collins, b. 1970

2008: Dallas Museum of Art, Gayle and Paul Stoffel Fund for Contemporary Art and gift of Marguerite Steed Hoffman, purchased from Tanya Bonakdar Gallery, New York

Notes:
The main source of this provenance is the copy of  "Invoice #3791" dated January 23, 2008 in the Collections Records object file.

AUDIO ASSETS
  • Phil Collins exhibition opening lecture, 13315069: UMO (added to related objects in Piction, added UMO tag, HAB 1/17.2018)
  • Simon Reynolds lecture "Art into Rock," 13315255: UMO (already in related objects in Piction, HAB 1/17/2018)

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2008.12.1.A-M
tags
#draft
#completed
%Archived
Contemporary (style of art): AAT: 300264737
@Bilal-Gore
*Contemporary Art
video art: AAT: 300102067
time-based works: AAT: 300185191
singing: AAT: 300264372
popular culture: AAT: 300055794
%exhibitions pending
single-channel video: AAT: 300390573
Runcorn (England): TGN: 7010642
Bogotá (Colombia): TGN: 7005070
bands (ensembles): AAT: 300205065
karaoke: DMA
Istanbul (Turkey): TGN: 7002473
Bandung (Indonesia): TGN: 7002853
!virtual
13315069: UMO
13315255: UMO
Phil_Collins: ULAN: 500387132
source file
object_notes_2_b-0487.xml.nores