2008.15 Woman’s embroidered shawl


GENERAL DESCRIPTION  
Some works of art, such as this one, can be mystifying. Scholars are intrigued by them, yet they know little about why, where, and how the works were made and used. This woman’s shawl—or is it a head scarf?—exemplifies this quandary.

The seaming together of narrow woven bands is similar to that of textiles from West Africa. To some scholars, the asymmetry of the embroidered designs and the choice of colors place the cloth in northern Nigeria, but to others, the choice of embroidered motifs place it in Cameroon.

The quest for understanding continues.

Excerpt from
Roslyn A. Walker, Add to, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.

NOTES

Catalogue essays

Artist/designers

Cultures

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PROVENANCE 
2008: Dallas Museum of Art, purchased from Andres Moraga, Berkeley, California

The main source for this provenance is the invoice dated April 3, 2008, in the Collections Records object file. 

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WEB RESOURCES 

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RULES
Apply to objects where number equals 2008.15


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General Description
 
Some works of art, such as this one, can be mystifying. Scholars are intrigued by them, yet they know little about why, where, and how the works were made and used. This woman’s shawl—or is it a head scarf?—exemplifies this quandary.

The seaming together of narrow woven bands is similar to that of textiles from West Africa. To some scholars, the asymmetry of the embroidered designs and the choice of colors place the cloth in northern Nigeria, but to others, the choice of embroidered motifs place it in Cameroon.

The quest for understanding continues.

Excerpt from
Roslyn A. Walker, Add to, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.

Fun Facts

Archival Resources

Web Resources
 
Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
2008: Dallas Museum of Art, purchased from Andres Moraga, Berkeley, California

The main source for this provenance is the invoice dated April 3, 2008, in the Collections Records object file. 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2008.15
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
%Archived
@Bilal-Gore
white (color): AAT: 300129784
blue (color): AAT: 300129361
#routed
*Arts of Africa
red (color): AAT: 300126225
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
Nigeria (nation): TGN: 1000182
orange (color): AAT: 300126734
cloth: AAT: 300162391
asymmetry (composition concept): AAT: 300056248
shawls (perraje / outwear): AAT: 300209991
embroidering: AAT: 300053653
warp: AAT: 300227930
weft: AAT: 300227934
cotton (fiber): AAT: 300183670
plain weave (tabby / process): AAT: 300312167
embroidery (visual works): AAT: 300264024
Cameroon (nation): TGN: 1000153
warp-faced (weave / textile weaving processes and techniques): DMA
source file
object_notes_2_b-0444.xml.nores