GENERAL DESCRIPTION
Benzaiten, or Benten, as the goddess is also called in Japan, is a Japanese Buddhist version of Sarasvati, the Hindu goddess of music, poetry, learning, and the performing arts. Sarasvati was first adopted in China and then passed to Japan in the 7th-8th century. As is suited to a militaristic culture, Benten was originally considered to be a protectress of the samurai. She was also thought to be one of the seven lucky gods, who also brought prosperity and good fortune to their followers. In this, she resembled Daitoku, a god of prosperity represented by another sculpture in the DMA's collection [2016.59.2.A-B]. In Japanese myth, she is the daughter of the Dragon King of the Sea, and as such is exhibited alongside the Dragon King of the Sea in the Museum's Young Collection [1993.86.11.FA].
Excerpt from
- Label text, Anne Bromberg, 2017.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Japan (nation): TGN: 1000120
Process/materials
wood (plant material): AAT: 300011914
sculpture: AAT: 300047090
metal: AAT: 300010900
Historical periods
Edo (Japanese period): AAT: 300106643
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Private English collection
From 2011: Private New York collection
2017: Dallas Museum of Art, Cecil and Ida Green Acquisition Fund purchase through Joel Cooner Gallery
The main source for this provenance is information previously entered in TMS.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Encyclopedia Britannica~Learn more about Benzaiten in Japanese mythology.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2017.8.a-f
Category
rules_operator
AND
General Description
Benzaiten, or Benten, as the goddess is also called in Japan, is a Japanese Buddhist version of Sarasvati, the Hindu goddess of music, poetry, learning, and the performing arts. Sarasvati was first adopted in China and then passed to Japan in the 7th-8th century. As is suited to a militaristic culture, Benten was originally considered to be a protectress of the samurai. She was also thought to be one of the seven lucky gods, who also brought prosperity and good fortune to their followers. In this, she resembled Daitoku, a god of prosperity represented by another sculpture in the DMA's collection [2016.59.2.A-B]. In Japanese myth, she is the daughter of the Dragon King of the Sea, and as such is exhibited alongside the Dragon King of the Sea in the Museum's Young Collection [1993.86.11.FA].
Excerpt from
- Label text, Anne Bromberg, 2017.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Japan (nation): TGN: 1000120
Process/materials
wood (plant material): AAT: 300011914
sculpture: AAT: 300047090
metal: AAT: 300010900
Historical periods
Edo (Japanese period): AAT: 300106643
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Private English collection
From 2011: Private New York collection
2017: Dallas Museum of Art, Cecil and Ida Green Acquisition Fund purchase through Joel Cooner Gallery
The main source for this provenance is information previously entered in TMS.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2017.8.a-f
source file
object_notes_2_b-0442.xml.nores