2017.8.a-f Benzaiten


GENERAL DESCRIPTION  
Benzaiten, or Benten, as the goddess is also called in Japan, is a Japanese Buddhist version of Sarasvati, the Hindu goddess of music, poetry, learning, and the performing arts. Sarasvati was first adopted in China and then passed to Japan in the 7th-8th century. As is suited to a militaristic culture, Benten was originally considered to be a protectress of the samurai. She was also thought to be one of the seven lucky gods, who also brought prosperity and good fortune to their followers. In this, she resembled Daitoku, a god of prosperity represented by another sculpture in the DMA's collection [2016.59.2.A-B]. In Japanese myth, she is the daughter of the Dragon King of the Sea, and as such is exhibited alongside the Dragon King of the Sea in the Museum's Young Collection [1993.86.11.FA]. 

Excerpt from
  • Label text, Anne Bromberg, 2017. 

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 
Japan (nation): TGN: 1000120

Process/materials
wood (plant material): AAT: 300011914
sculpture: AAT: 300047090
metal: AAT: 300010900

Historical periods
Edo (Japanese period): AAT: 300106643

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private English collection

From 2011: Private New York collection 

2017: Dallas Museum of Art, Cecil and Ida Green Acquisition Fund purchase through Joel Cooner Gallery

The main source for this provenance is information previously entered in TMS. 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2017.8.a-f

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General Description
 
Benzaiten, or Benten, as the goddess is also called in Japan, is a Japanese Buddhist version of Sarasvati, the Hindu goddess of music, poetry, learning, and the performing arts. Sarasvati was first adopted in China and then passed to Japan in the 7th-8th century. As is suited to a militaristic culture, Benten was originally considered to be a protectress of the samurai. She was also thought to be one of the seven lucky gods, who also brought prosperity and good fortune to their followers. In this, she resembled Daitoku, a god of prosperity represented by another sculpture in the DMA's collection [2016.59.2.A-B]. In Japanese myth, she is the daughter of the Dragon King of the Sea, and as such is exhibited alongside the Dragon King of the Sea in the Museum's Young Collection [1993.86.11.FA]. 

Excerpt from
  • Label text, Anne Bromberg, 2017. 

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 
Japan (nation): TGN: 1000120

Process/materials
wood (plant material): AAT: 300011914
sculpture: AAT: 300047090
metal: AAT: 300010900

Historical periods
Edo (Japanese period): AAT: 300106643

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private English collection

From 2011: Private New York collection 

2017: Dallas Museum of Art, Cecil and Ida Green Acquisition Fund purchase through Joel Cooner Gallery

The main source for this provenance is information previously entered in TMS. 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2017.8.a-f
tags
#draft
#completed
%copyedited_Gail
sculpture: AAT: 300047090
%Archived
*Arts of Asia
@Courtney
goddess: AAT: 300343852
wood (plant material): AAT: 300011914
#routed
Buddhism: AAT: 300073738
protection: AAT: 300164923
Japan (nation): TGN: 1000120
Japanese Buddhism: AAT: 300022000
metal: AAT: 300010900
fortune: AAT: 300410316
Hinduism: AAT: 300073727
Edo (Japanese period): AAT: 300106643
prosperity: AAT: 300055744
samurai: AAT: 300403984
source file
object_notes_2_b-0442.xml.nores