1982.103 Bonington, A River in Normandy


GENERAL DESCRIPTION    
Although Richard Parkes Bonington's precocious career was tragically cut short by illness and death at an early age, he is recognized as one of the leading landscape painters of the Romantic movement. Born and trained at first in England, he moved with his family to Paris in 1818 where he became a good friend of Eugène Delacroix and eventually trained under Jean-Antoine Gros. He made extended trips through France, England, and Italy, making sketches of the effects of light and atmosphere on the rivers and landscapes he saw. He first visited Normandy in 1817 and was attracted to its rugged landscape and the traditional images of the region. Bonington’s paintings of coastal France often depict ships at sea or depositing their cargo on shore. His representations of Trouville and other Normandy towns recall the region's origins as a cluster of small fishing villages before becoming a fashionable tourist destination in the mid-19th century.

An initial criticism of Bonington's work was that he paid greater attention to the atmospheric qualities of the scene than to the depiction of figures or human activity. His dedication to nature inspired fellow artists including Delacroix, who noted Bonington's  "marvelous understanding of effects, and the facility of his execution . . . the lightness of touch which . . . makes his pictures as it were like diamonds that delight the eye." A River in Normandy's  freely brushed surface and naturalistic light are typical of the Bonington plein-air landscape studies that had long-lasting influence in French art. 

Adapted from
  • DMA Label copy from The Lens of Impressionism: Photography and Painting along the Normandy Coast, 1850–1874, Dallas Museum of Art, 21 February 2010 – 23 May 2010.
  • Heather MacDonald, DMA Label Copy (1982.103), October 2010.
  • Steven Nash, DMA Acquisition proposal (1982.103), 1982, Collections Records Object File.

NOTES
Added "A River in France" and "River Scene in France" as former titles according to documentation in the Collections Records Object File. 

Added text entry based on a 1983 handwritten note in file that S.W. Reynolds (name inscribed on back of stretcher) was a printmaker who made prints based on Bonington's paintings.

Entered acquisition justification as a text entry.

Removed TMS tag because rule exists.

This note was previously tagged #routed (and possibly !Routed_Feb15). I am removing those tags and replacing with #draft so that this note proceeds to GDocs for routing and is harvested to Brain. (EAS, 12/19/2016)

born- Arnold (England)
Worked- Paris
traveled- London
worked- Normandy

Nicole Myers, DMA label copy, 2017.
A keen observer of nature, the British painter Richard Parkes Bonington traveled through France making sketches of the effects of light and atmosphere on the rivers and landscapes he encountered. Eugène Delacroix, a fellow artist and friend of Bonington, admired his “marvelous understanding of effects, and the facility of his execution . . . the lightness of touch which . . . makes his pictures as it were like diamonds that delight the eye.” Bonington’s brilliant and promising career was tragically cut short when he died suddenly from consumption at the age of twenty-six.


Catalogue essays specific to object

Artist/designers
Richard Parkes Bonington (English, 1802-1828)

Cultures

Geography
Place of origin: Normandy (France): TGN: 7002886
Depicted: Normandy (France): TGN: 7002886


Process/materials

Historical periods

Individuals
Eugene Delacroix
Jean-Antoine Gros

Subject terms
boat
blue
green
men
shore
landscape
nature
fishing villages
clouds
river
studies

RELATED OBJECTS 

PROVENANCE


AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • Bonington first befriended Eugène Delacroix when the former was a teenager and moved with his family to Paris where his father set up a lace shop. Seven years later, in 1825, the pair traveled and sketched together in London and then shared a studio when they returned to Paris. During their 1825 journey, Delacroix produced a series of lithographs based on ancient coins, one of which is in the DMA Collection. (1953.49)

TEACHING IDEAS

RULES
Apply to objects where number equals 1982.103

Category
rules_operator
AND
General Description
   
Although Richard Parkes Bonington's precocious career was tragically cut short by illness and death at an early age, he is recognized as one of the leading landscape painters of the Romantic movement. Born and trained at first in England, he moved with his family to Paris in 1818 where he became a good friend of Eugène Delacroix and eventually trained under Jean-Antoine Gros. He made extended trips through France, England, and Italy, making sketches of the effects of light and atmosphere on the rivers and landscapes he saw. He first visited Normandy in 1817 and was attracted to its rugged landscape and the traditional images of the region. Bonington’s paintings of coastal France often depict ships at sea or depositing their cargo on shore. His representations of Trouville and other Normandy towns recall the region's origins as a cluster of small fishing villages before becoming a fashionable tourist destination in the mid-19th century.

An initial criticism of Bonington's work was that he paid greater attention to the atmospheric qualities of the scene than to the depiction of figures or human activity. His dedication to nature inspired fellow artists including Delacroix, who noted Bonington's  "marvelous understanding of effects, and the facility of his execution . . . the lightness of touch which . . . makes his pictures as it were like diamonds that delight the eye." A River in Normandy's  freely brushed surface and naturalistic light are typical of the Bonington plein-air landscape studies that had long-lasting influence in French art. 

Adapted from
  • DMA Label copy from The Lens of Impressionism: Photography and Painting along the Normandy Coast, 1850–1874, Dallas Museum of Art, 21 February 2010 – 23 May 2010.
  • Heather MacDonald, DMA Label Copy (1982.103), October 2010.
  • Steven Nash, DMA Acquisition proposal (1982.103), 1982, Collections Records Object File.

Fun Facts
  • Bonington first befriended Eugène Delacroix when the former was a teenager and moved with his family to Paris where his father set up a lace shop. Seven years later, in 1825, the pair traveled and sketched together in London and then shared a studio when they returned to Paris. During their 1825 journey, Delacroix produced a series of lithographs based on ancient coins, one of which is in the DMA Collection. (1953.49)

Archival Resources

Web Resources
 

Notes
Added "A River in France" and "River Scene in France" as former titles according to documentation in the Collections Records Object File. 

Added text entry based on a 1983 handwritten note in file that S.W. Reynolds (name inscribed on back of stretcher) was a printmaker who made prints based on Bonington's paintings.

Entered acquisition justification as a text entry.

Removed TMS tag because rule exists.

This note was previously tagged #routed (and possibly !Routed_Feb15). I am removing those tags and replacing with #draft so that this note proceeds to GDocs for routing and is harvested to Brain. (EAS, 12/19/2016)

born- Arnold (England)
Worked- Paris
traveled- London
worked- Normandy

Nicole Myers, DMA label copy, 2017.
A keen observer of nature, the British painter Richard Parkes Bonington traveled through France making sketches of the effects of light and atmosphere on the rivers and landscapes he encountered. Eugène Delacroix, a fellow artist and friend of Bonington, admired his “marvelous understanding of effects, and the facility of his execution . . . the lightness of touch which . . . makes his pictures as it were like diamonds that delight the eye.” Bonington’s brilliant and promising career was tragically cut short when he died suddenly from consumption at the age of twenty-six.


Catalogue essays specific to object

Artist/designers
Richard Parkes Bonington (English, 1802-1828)

Cultures

Geography
Place of origin: Normandy (France): TGN: 7002886
Depicted: Normandy (France): TGN: 7002886


Process/materials

Historical periods

Individuals
Eugene Delacroix
Jean-Antoine Gros

Subject terms
boat
blue
green
men
shore
landscape
nature
fishing villages
clouds
river
studies

RELATED OBJECTS 

PROVENANCE


AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1982.103
tags
#draft
#completed
%Archived
men: AAT: 300025928
green (color): AAT: 300128438
canvas: AAT: 300014078
oil paint: AAT: 300015050
landscapes (representations): AAT: 300015636
@Schiller
@Russell
blue (color): AAT: 300129361
#routed
*European Art
boats: AAT: 300178749
landscapes (environments): AAT: 300008626
Italy (nation): TGN: 1000080
clouds: AAT: 300343840
Paris (France): TGN: 7008038
nature: AAT: 300179372
Normandy (France): TGN: 7002886
plein-air: AAT: 300266829
studies (visual works): AAT: 300081053
rivers: AAT: 300008707
shores (landforms): AAT: 300008733
Delacroix_Eugene: ULAN: 500115509
fishing villages: AAT: 300008461
Trouville (France): TGN: 7009512
Bonington_Richard Parkes: ULAN: 500024171
Arnold (England): TGN: 1028325
Gros_Antoine-Jean: ULAN: 500009139
source file
object_notes_2_b-0257.xml.nores