2000.68.FA Ferdinand Hodler, The Woodcutter (Der Hozfӓller)


GENERAL DESCRIPTION  
Ferdinand Hodler's figure raises an axe high above his head. The woodcutter's stance, legs wide and muscles taut, stresses the exertion of his labor. Hodler places the woodcutter against a blank backdrop of a white sky. The thick Swiss forest is merely hinted at as all attention is directed at the forester's effort. The woodcutter's determination and individuality symbolize a broad cultural identity. In 1908, Ferdinand Hodler was commissioned to design new "unmistakably Swiss and national in character" dollar bills. His proposed design, a forester allegorizing Swiss work ethic, circulated on the Swiss fifty-franc note from 1911 until 1958. Hodler varied the paper bill composition in larger, individual prints like this which more closely represented his style. By using a single figure and solid backdrop, commonly found in medieval icons, Hodler imbues the image with an idol-like religiosity. These spiritual connotations identify Hodler's departure from a theoretical approach to art grounded in observation, prizing instead the evocative potential of an image.

Excerpt from
Brittany Luberda, DMA label copy, 2010. 

NOTES
Created 1910

Checked Piction

Geography Geneva? Cannot confirm.

Catalogue essays

Artist/designers
Hodler, Ferdinand (Swiss, 1853-1918)

Cultures

Geography 
Place of origin and depicted location: Switzerland (nation): TGN: 7011731

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Apply to objects where number equals 2000.68.FA

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General Description
 
Ferdinand Hodler's figure raises an axe high above his head. The woodcutter's stance, legs wide and muscles taut, stresses the exertion of his labor. Hodler places the woodcutter against a blank backdrop of a white sky. The thick Swiss forest is merely hinted at as all attention is directed at the forester's effort. The woodcutter's determination and individuality symbolize a broad cultural identity. In 1908, Ferdinand Hodler was commissioned to design new "unmistakably Swiss and national in character" dollar bills. His proposed design, a forester allegorizing Swiss work ethic, circulated on the Swiss fifty-franc note from 1911 until 1958. Hodler varied the paper bill composition in larger, individual prints like this which more closely represented his style. By using a single figure and solid backdrop, commonly found in medieval icons, Hodler imbues the image with an idol-like religiosity. These spiritual connotations identify Hodler's departure from a theoretical approach to art grounded in observation, prizing instead the evocative potential of an image.

Excerpt from
Brittany Luberda, DMA label copy, 2010. 

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 1910

Checked Piction

Geography Geneva? Cannot confirm.

Catalogue essays

Artist/designers
Hodler, Ferdinand (Swiss, 1853-1918)

Cultures

Geography 
Place of origin and depicted location: Switzerland (nation): TGN: 7011731

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2000.68.FA
tags
#draft
#completed
men: AAT: 300025928
trees (plants): AAT: 300132410
@Russell
#routed
*European Art
works on paper: AAT: 300189621
Symbolist (style): AAT: 300021514
axes (weapons): AAT: 300036982
paper (fiber product): AAT: 300014109
lithography: AAT: 300053271
lithographs (planographic prints): AAT: 300041379
forests (cultural landscapes): AAT: 300008863
Switzerland (nation): TGN: 7011731
foresters: AAT: 300025609
source file
object_notes_2_b-0253.xml.nores