GENERAL DESCRIPTION
Louis Comfort Tiffany was one of America's most important designers at the turn of the 19th century. The glass produced at his Corona Furnace on Long Island was especially famous. In addition to US markets, Tiffany glass was also sold at L'Art Nouveau, the Paris shop of Siegfried Bing. This gallery not only gave the style its name, but showcased the work of the finest art nouveau designers. Because of its rich colors, organic shapes, and sinuous decoration, Tiffany glass was considered among the best in the world.
Tiffany noted that his glass "is distinguished by brilliant or deeply toned colors, usually iridescent like the wings of certain American butterflies, the necks of pigeons and peacocks, the wing covers of various beetles." The iridescent effect was obtained though the vapors of metallic oxides interacting with the surface of the hot glass.
Adapted from
- Charles Venable, "Three Favrile vases," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 241.
- DMA unpublished material, 2017.
NOTES
READ
updated provenance and geo x ref
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1983: Mr. and Mrs. Nelson Waggener, Dallas, Texas [1]
From 1983: Dallas Museum of Fine Arts, gift of the above [2]
[1] See Deed of Gift in Collections Records Object File (1983.32)
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
13315978: UMO. Exhibition lecture in conjunction with Gustav Stickley and the American Arts & Crafts Movement; with Martin Eidelberg, Professor Emeritus of Art History at Rutgers University; explore American artists’ varied responses to the challenges and tensions of an urban, industrial society and the demands of art at the turn of the century—from the furniture made by Gustav Stickley, to the ceramics made at the Rookwood and Grueby potteries, and the lamps and Favrile glass vases from Tiffany Studios
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1983.32
Category
rules_operator
AND
General Description
Louis Comfort Tiffany was one of America's most important designers at the turn of the 19th century. The glass produced at his Corona Furnace on Long Island was especially famous. In addition to US markets, Tiffany glass was also sold at L'Art Nouveau, the Paris shop of Siegfried Bing. This gallery not only gave the style its name, but showcased the work of the finest art nouveau designers. Because of its rich colors, organic shapes, and sinuous decoration, Tiffany glass was considered among the best in the world.
Tiffany noted that his glass "is distinguished by brilliant or deeply toned colors, usually iridescent like the wings of certain American butterflies, the necks of pigeons and peacocks, the wing covers of various beetles." The iridescent effect was obtained though the vapors of metallic oxides interacting with the surface of the hot glass.
Adapted from
- Charles Venable, "Three Favrile vases," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 241.
- DMA unpublished material, 2017.
Fun Facts
Archival Resources
Web Resources
Notes
READ
updated provenance and geo x ref
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1983: Mr. and Mrs. Nelson Waggener, Dallas, Texas [1]
From 1983: Dallas Museum of Fine Arts, gift of the above [2]
[1] See Deed of Gift in Collections Records Object File (1983.32)
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
13315978: UMO. Exhibition lecture in conjunction with Gustav Stickley and the American Arts & Crafts Movement; with Martin Eidelberg, Professor Emeritus of Art History at Rutgers University; explore American artists’ varied responses to the challenges and tensions of an urban, industrial society and the demands of art at the turn of the century—from the furniture made by Gustav Stickley, to the ceramics made at the Rookwood and Grueby potteries, and the lamps and Favrile glass vases from Tiffany Studios
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1983.32
source file
object_notes_2_b-0146.xml.nores