1996.23, Champagne glass with Courtney shape stem, c. 1928, designer: George Dougherty, manufacturer: Morgantown Glass works


GENERAL DESCRIPTION  
George Dougherty applied for a patent on this stem profile in 1928 and was granted design patent no. 77,942 the next year. However, the use of a rectangular motif like this one was likely derived from a French crystal shape called Hagueneau. Designed in 1924 by RenĂ© Lalique, that pattern's stem features a square superimposed over a rectangle. Dorothy C. Thorpe is known to have sold the American version with a frosted stem, which was achieved through sandblasting. Morgantown advertised that it produced glass in "scores of colors" and praised its craftsmen as "specialists in delicately blown stemware [that could be manufactured in] 500 distinct combinations of Morgantown stems and patterns." The company was well known for its distinctive "open stems" as seen here in the Courtney champagne glass, and as well as the Paragon (1996.24), also in the Dallas Museum of Art's collection. 

Adapted from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 436.
  • DMA unpublished material, Label text [1996.23], transcribed 2017.

NOTES
  • updated provenance and geo x refs

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RELATED OBJECTS 

PROVENANCE 
Until 1996: Collection of Bert and Donna Kennedy, Blue Dart, Mesquite, Texas [1]

From 1996: Dallas Museum of Art, purchased from above

[1] See check #5001 in Collections Records Object File (1996.23).

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General Description
 
George Dougherty applied for a patent on this stem profile in 1928 and was granted design patent no. 77,942 the next year. However, the use of a rectangular motif like this one was likely derived from a French crystal shape called Hagueneau. Designed in 1924 by RenĂ© Lalique, that pattern's stem features a square superimposed over a rectangle. Dorothy C. Thorpe is known to have sold the American version with a frosted stem, which was achieved through sandblasting. Morgantown advertised that it produced glass in "scores of colors" and praised its craftsmen as "specialists in delicately blown stemware [that could be manufactured in] 500 distinct combinations of Morgantown stems and patterns." The company was well known for its distinctive "open stems" as seen here in the Courtney champagne glass, and as well as the Paragon (1996.24), also in the Dallas Museum of Art's collection. 

Adapted from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 436.
  • DMA unpublished material, Label text [1996.23], transcribed 2017.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1996: Collection of Bert and Donna Kennedy, Blue Dart, Mesquite, Texas [1]

From 1996: Dallas Museum of Art, purchased from above

[1] See check #5001 in Collections Records Object File (1996.23).

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*Decorative Arts and Design
champagne glasses: AAT: 300043247
drinking: AAT: 300379698
squares (geometric figures): AAT: 300055637
Morgantown (West Virginia/United States): AAT: 2119272
Morgantown Glass Works: ULAN: 500356024
source file
object_notes_2_b-0141.xml.nores