1989.137, Plate, c. 1755, Staffordshire, England, salt-glazed stoneware


GENERAL DESCRIPTION  
During the early 18th century, English potters adopted the old German technique of throwing salt into the kiln when it was hot. The salt vaporized, leaving a clear matte glaze, as seen on this dish. The white color is actually that of the stoneware clay, which produces a hard, non-porous body when fired and shows through the clear glaze. The introduction of stoneware, and later creamware, were great advances because plain earthenwares which preceded them absorbed liquids and bacteria into the clay body once their glaze coverings were chipped. By the 1750s, England was producing some of the finest salt-glaze ware in Europe; this particular dish is an exceptional example. Not only does it have elaborately molded rococo decoration, but it is pierced as well. Few English pieces so completely embody the fluid lines and grace of the rococo age as does this plate. Hard and durable, this English salt-glazed stoneware was used by the American colonial elite in the mid-18th century.

Adapted from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 103-104.
  • Charles Venable, DMA unpublished material, Museum of Europe Label Text, 1993.

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PROVENANCE 
Until 1989: Collection of Wynn A. Sayman, Richmond, Ma

1989: purchased from Early English Pottery & Porcelain (Wynn A. Sayman) [1]

From 1989: Dallas Museum of Art, gift of Anne J. Stewart, "Lot for a Little" Fund

[1] See invoice #1508 dated October 24, 1989 and check #047936  in Collections Records Object File 1989.137

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General Description
 
During the early 18th century, English potters adopted the old German technique of throwing salt into the kiln when it was hot. The salt vaporized, leaving a clear matte glaze, as seen on this dish. The white color is actually that of the stoneware clay, which produces a hard, non-porous body when fired and shows through the clear glaze. The introduction of stoneware, and later creamware, were great advances because plain earthenwares which preceded them absorbed liquids and bacteria into the clay body once their glaze coverings were chipped. By the 1750s, England was producing some of the finest salt-glaze ware in Europe; this particular dish is an exceptional example. Not only does it have elaborately molded rococo decoration, but it is pierced as well. Few English pieces so completely embody the fluid lines and grace of the rococo age as does this plate. Hard and durable, this English salt-glazed stoneware was used by the American colonial elite in the mid-18th century.

Adapted from
  • Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 103-104.
  • Charles Venable, DMA unpublished material, Museum of Europe Label Text, 1993.

Fun Facts

Archival Resources

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Notes
READ

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1989: Collection of Wynn A. Sayman, Richmond, Ma

1989: purchased from Early English Pottery & Porcelain (Wynn A. Sayman) [1]

From 1989: Dallas Museum of Art, gift of Anne J. Stewart, "Lot for a Little" Fund

[1] See invoice #1508 dated October 24, 1989 and check #047936  in Collections Records Object File 1989.137

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*Decorative Arts and Design
white (color): AAT: 300129784
plates (dishes): AAT: 300042991
Rococo (period and style): AAT: 300021155
stoneware (pottery): AAT: 300010672
Staffordshire (county/England): TGN: 7008174
salt glaze: AAT: 300048635
source file
object_notes_2_b-0122.xml.nores