GENERAL DESCRIPTION
Family crests and shields were the most impressive way to increase the status of an item in 18th-century America. Not only did it promise uniqueness, but quite blatantly hinted at an association with English nobility and gentry. By the time of the American Revolution, they appeared on a wide variety of high-end consumer goods, from silver tankards and fine porcelain like this, to carriages and servants' livery, to the decorative relief over doors and on ceilings.
Heather Bowling, Digital Collections Content Coordinator, 2017
Drawn from
Stephanie Grauman Wolf, "Rarer than Riches" in The Portrait in Eighteenth Century America, (Newark: University of Delaware Press), 1993, 97.
NOTES
READ
- updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1954: Collection of Helen Woolworth
From 1954: Dallas Museum of Fine Arts, gift of the Winfield Foundation [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
44998368: UMO, learn about import porcelain in the context of the Reves Collection at the DMA.
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1954.83
Category
rules_operator
AND
General Description
Family crests and shields were the most impressive way to increase the status of an item in 18th-century America. Not only did it promise uniqueness, but quite blatantly hinted at an association with English nobility and gentry. By the time of the American Revolution, they appeared on a wide variety of high-end consumer goods, from silver tankards and fine porcelain like this, to carriages and servants' livery, to the decorative relief over doors and on ceilings.
Heather Bowling, Digital Collections Content Coordinator, 2017
Drawn from
Stephanie Grauman Wolf, "Rarer than Riches" in The Portrait in Eighteenth Century America, (Newark: University of Delaware Press), 1993, 97.
Fun Facts
Archival Resources
Web Resources
Notes
READ
- updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1954: Collection of Helen Woolworth
From 1954: Dallas Museum of Fine Arts, gift of the Winfield Foundation [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
44998368: UMO, learn about import porcelain in the context of the Reves Collection at the DMA.
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1954.83
source file
object_notes_2_b-0120.xml.nores