GENERAL DESCRIPTION
This Attic Greek krater painted in a red-figure style features the classical image of an Amazon on the obverse, and a youth striding with a torch on the reverse. Amazons were thought to be Asian women warriors who participated in the Trojan War on the Trojan side. They appear in Homeric epics and were figures of mythic imagination to the classical Greeks. The Greek hero Achilles was believed to have fallen in love with the Amazon queen Penthesileia at the moment he killed her, a scene appearing on a famous vase by the Penthesileia Painter. Herodotus considered them historical figures—women who devoted their lives to war and who cut off one breast in order to shoot better with a bow and arrow. In recent archaeological research, graves in southern Russia have in fact revealed distinguished female figures, presumably queens, buried with armor and weapons.
In the fifth century BCE, Amazons (alone or engaged in battle) were popular figures in Attic art, because the Greek states, led by Athens, had just defeated the Persian Empire, the greatest world power then known. Hence, the Persian costume of the Amazon on this vase. Battles with Amazons appear on the Parthenon, Athens’s greatest classical monument, both on the frieze and on the shield of the giant statue of Athena.
The vase has been attributed to the Eupolis Painter. A number of works by this artist survive, including one in the Louvre. The Amazon wears very detailed Asiatic clothing, including a figured oriental tunic, leggings, and a large shield with a scorpion device, as well as an axe and spear. The simplicity and elegance of the draftsmanship is striking and is complemented by the figure of the youth with a torch on the reverse, an image associated with funerary games. The work comes from the high point of Attic red-figure vase painting, at the point when Archaic art styles were shifting to a classical style. The single image of the Amazon warrior against a plain background is purely classical in design.
Excerpt from
Anne Bromberg, DMA unpublished material, 2008.
NOTES
READ
- updated provenance and geo x refs
- DMA unpublished material = acquisition justification
- Bibliography listed on acquisition justification:
- Beazley, J.D., Attic Red-Figure Vase Painters, Oxford, 1963
- The Beazley Archive, Corpus Vasorum Antiquorum, The Eupolis Painter (available on line http//www.cvaonline.org/cva/projectpages/BrowserSearch.htm
- Musee du Louvre, Paris, copyright 2005-2008, Atlas Database, Stamnos
- Boardman, John, Athenian Red-Figure Vases of the Classical period, London, 1989, pp. 97,218 (Eupolis Painter) and fig. 80.1 (Penthesileia Painter vase)
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Artist/designers
Cultures
Geography
Process/materials
Historical periods
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PROVENANCE
1999: sold at auction, Bonham’s London in October 1999 [1]
Before 2008: English collection [2]
Until 2008: Royal-Athena Galleries, New York, NY
From 2008: Dallas Museum of Art, purchased from above [3]
[1] (Jerome) Eisenberg (of Royal-Athena Galleries) noted via email that the vase was also sold at auction, cited here: https://chasingaphrodite.com/2012/02/01/loot-at-the-dallas-museum-of-art-museum-responds-to-almagia-investigation/, accessed June 12, 2017.
[2] See invoice from Royal-Athena galleries in Collections Records Object File 2008.10
[3] See check #13418 in Collections Records Object File 2008.10
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General Description
This Attic Greek krater painted in a red-figure style features the classical image of an Amazon on the obverse, and a youth striding with a torch on the reverse. Amazons were thought to be Asian women warriors who participated in the Trojan War on the Trojan side. They appear in Homeric epics and were figures of mythic imagination to the classical Greeks. The Greek hero Achilles was believed to have fallen in love with the Amazon queen Penthesileia at the moment he killed her, a scene appearing on a famous vase by the Penthesileia Painter. Herodotus considered them historical figures—women who devoted their lives to war and who cut off one breast in order to shoot better with a bow and arrow. In recent archaeological research, graves in southern Russia have in fact revealed distinguished female figures, presumably queens, buried with armor and weapons.
In the fifth century BCE, Amazons (alone or engaged in battle) were popular figures in Attic art, because the Greek states, led by Athens, had just defeated the Persian Empire, the greatest world power then known. Hence, the Persian costume of the Amazon on this vase. Battles with Amazons appear on the Parthenon, Athens’s greatest classical monument, both on the frieze and on the shield of the giant statue of Athena.
The vase has been attributed to the Eupolis Painter. A number of works by this artist survive, including one in the Louvre. The Amazon wears very detailed Asiatic clothing, including a figured oriental tunic, leggings, and a large shield with a scorpion device, as well as an axe and spear. The simplicity and elegance of the draftsmanship is striking and is complemented by the figure of the youth with a torch on the reverse, an image associated with funerary games. The work comes from the high point of Attic red-figure vase painting, at the point when Archaic art styles were shifting to a classical style. The single image of the Amazon warrior against a plain background is purely classical in design.
Excerpt from
Anne Bromberg, DMA unpublished material, 2008.
Fun Facts
Archival Resources
Web Resources
Notes
READ
- updated provenance and geo x refs
- DMA unpublished material = acquisition justification
- Bibliography listed on acquisition justification:
- Beazley, J.D., Attic Red-Figure Vase Painters, Oxford, 1963
- The Beazley Archive, Corpus Vasorum Antiquorum, The Eupolis Painter (available on line http//www.cvaonline.org/cva/projectpages/BrowserSearch.htm
- Musee du Louvre, Paris, copyright 2005-2008, Atlas Database, Stamnos
- Boardman, John, Athenian Red-Figure Vases of the Classical period, London, 1989, pp. 97,218 (Eupolis Painter) and fig. 80.1 (Penthesileia Painter vase)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1999: sold at auction, Bonham’s London in October 1999 [1]
Before 2008: English collection [2]
Until 2008: Royal-Athena Galleries, New York, NY
From 2008: Dallas Museum of Art, purchased from above [3]
[1] (Jerome) Eisenberg (of Royal-Athena Galleries) noted via email that the vase was also sold at auction, cited here: https://chasingaphrodite.com/2012/02/01/loot-at-the-dallas-museum-of-art-museum-responds-to-almagia-investigation/, accessed June 12, 2017.
[2] See invoice from Royal-Athena galleries in Collections Records Object File 2008.10
[3] See check #13418 in Collections Records Object File 2008.10
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