1991.75.8.a-b, Pair of child's bracelets or earrings, Etruscan, mid 7th century B.C.E., gold repousse


GENERAL DESCRIPTION  
In antiquity, bracelets were usually worn in pairs. However, the number of surviving Greek and Etruscan bracelets is surprisingly small. In this pair, bracelet "A" consists of three flat bands composed of two twisted and three rounded wires, each band terminating at both ends in a three-dimensional lion's head. These composite bands are held together in three places by small similarly constructed bands placed laterally across them. The lions' heads at one end are delineated with granulated lines indicating the manes, ears, and eyes. On the other end, these details are rendered in repoussé only. Attached to each lion's mouth is a small circular loop; two are missing. Of the matching piece, only a single band is preserved. The lion-head finials follow the decorative scheme of the complete piece: one has added granulation, one does not.

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 37; 129.

NOTES
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Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • Jewelry was far more than merely ornament to the Etruscans; it was often close to being a magic charm or amulet and implied the protection of the gods.

TEACHING IDEAS

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Apply to objects where number equals 1991.75.8.a-b








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General Description
 
In antiquity, bracelets were usually worn in pairs. However, the number of surviving Greek and Etruscan bracelets is surprisingly small. In this pair, bracelet "A" consists of three flat bands composed of two twisted and three rounded wires, each band terminating at both ends in a three-dimensional lion's head. These composite bands are held together in three places by small similarly constructed bands placed laterally across them. The lions' heads at one end are delineated with granulated lines indicating the manes, ears, and eyes. On the other end, these details are rendered in repoussé only. Attached to each lion's mouth is a small circular loop; two are missing. Of the matching piece, only a single band is preserved. The lion-head finials follow the decorative scheme of the complete piece: one has added granulation, one does not.

Adapted from
Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 37; 129.

Fun Facts
  • Jewelry was far more than merely ornament to the Etruscans; it was often close to being a magic charm or amulet and implied the protection of the gods.

Archival Resources

Web Resources
 
Notes
READ

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

[1] based on existing provenance entry in TMS

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
number
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1991.75.8.a-b
tags
#draft
#completed
%copyedited_Gail
*Classical Art
@Bowling
%Archived
jewelry: AAT: 300209286
bracelets (jewelry): AAT: 300045991
metalwork: AAT: 300015336
children (people by age group): AAT: 300025945
goldwork: AAT: 300044045
gold (metal): AAT: 300011021
metalworking: AAT: 300053946
ancient (style and period): AAT: 300106711
goldsmithing: AAT: 300054048
Etruscan (culture or style): AAT: 300020471
granulation: AAT: 300054021
wirework: AAT: 300044077
source file
object_notes_2_b-0100.xml.nores