1991.75.55, Wreath, Classical or Hellenistic Greek, 4th century B.C.E., gold


GENERAL DESCRIPTION  
This delicate olive wreath beautifully embodies the intricate workmanship and classically refined forms of gold jewelry created in Greece during the 6th-4th centuries BCE. Made entirely of gold, this headpiece consists of a hollow, tubular stem made in two sections, adorned by separately-made leaves and olives. The leaves and fruit were created by hammering gold ingots to a paper-thin thickness, with leaves then cut to form and accentuated with repoussé contour lines. The three-dimensional olives are open at the back and soldered to tiny stalks. A small hinge, only partly preserved, once held the two sections of the wreath together at the base. There have been some modern repairs and restorations.

Wreaths like this could have been worn in life at banquets, as victors' prizes in war or athletic competitions, or on religious or civic occasions, but they are also frequently recovered from burials. In a funerary setting, the gold wreath symbolized immortality and designated an individual who had led a distinguished life. The earliest known Greek wreath was found in a 7th century BCE deposit at the sanctuary of Artemis Orthia, near Sparta. 

Adapted from
  • Anne R. Bromberg, DMA unpublished material.
  • Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 17; 142.

NOTES
READ
updated provenance and geo x ref

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc. and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick

[1] based on existing provenance entry in TMS

AUDIO ASSETS 
  • 44997682: UMO. Learn about the significance of gold in antiquity and beyond.
  • 264287749: UMO. Learn about Late Classical Greece

VIDEO ASSETS
  • 12936846: UMO. Collections smARTphone video; Bromberg, Anne R. discusses a gold Greek Wreath 

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS
  • Wreaths in the form of olive leaves are rare, compared to wreaths composed of oak, ivy, myrtle, or vine.

TEACHING IDEAS

RULES
Apply to objects where number equals 1991.75.55

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General Description
 
This delicate olive wreath beautifully embodies the intricate workmanship and classically refined forms of gold jewelry created in Greece during the 6th-4th centuries BCE. Made entirely of gold, this headpiece consists of a hollow, tubular stem made in two sections, adorned by separately-made leaves and olives. The leaves and fruit were created by hammering gold ingots to a paper-thin thickness, with leaves then cut to form and accentuated with repoussé contour lines. The three-dimensional olives are open at the back and soldered to tiny stalks. A small hinge, only partly preserved, once held the two sections of the wreath together at the base. There have been some modern repairs and restorations.

Wreaths like this could have been worn in life at banquets, as victors' prizes in war or athletic competitions, or on religious or civic occasions, but they are also frequently recovered from burials. In a funerary setting, the gold wreath symbolized immortality and designated an individual who had led a distinguished life. The earliest known Greek wreath was found in a 7th century BCE deposit at the sanctuary of Artemis Orthia, near Sparta. 

Adapted from
  • Anne R. Bromberg, DMA unpublished material.
  • Barbara Deppert-Lippitz, Ancient Gold Jewelry at the Dallas Museum of Art (Dallas: Dallas Museum of Art in association with the University of Washington Press, 1996), 17; 142.

Fun Facts
  • Wreaths in the form of olive leaves are rare, compared to wreaths composed of oak, ivy, myrtle, or vine.

Archival Resources

Web Resources
 

Notes
READ
updated provenance and geo x ref

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1991: probably Collection of Dr. Athos Moretti, Switzerland (presented by Robert Haber, New York) [1]

From 1991: Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc. and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick

[1] based on existing provenance entry in TMS

AUDIO ASSETS 
  • 44997682: UMO. Learn about the significance of gold in antiquity and beyond.
  • 264287749: UMO. Learn about Late Classical Greece

VIDEO ASSETS
  • 12936846: UMO. Collections smARTphone video; Bromberg, Anne R. discusses a gold Greek Wreath 

rules
Apply To
Objects
number
Equals
1991.75.55
tags
#draft
#completed
%copyedited_Gail
*Classical Art
@Bowling
burials: AAT: 300263485
hollow (form attribute): AAT: 300163023
%Archived
jewelry: AAT: 300209286
metalwork: AAT: 300015336
goldwork: AAT: 300044045
gold (metal): AAT: 300011021
leaves (plant components): AAT: 300400479
metalworking: AAT: 300053946
crowns (headdresses): AAT: 300046020
ancient (style and period): AAT: 300106711
wreaths: AAT: 300391223
Ancient Greek (culture or style): AAT: 300020072
Hellenistic (Ancient Greek culture or style): AAT: 300020101
jewelry worn on the head: AAT: 300209301
Classical Greece (style and period): AAT: 300020093
ingots: AAT: 300137865
olive (fruit): AAT: 300266440
12936846: UMO
44997682: UMO
264287749: UMO
source file
object_notes_2_b-0084.xml.nores