GENERAL DESCRIPTION
A pair of stylized dog-tigers (aso’lejau) is carved in low relief on this pivot-style door. The door’s handle serves as the body shared by both animals.
In pre-colonial times, the aso’lejau motif was reserved exclusively for aristocrats and found on entrance doors to the living quarters in longhouses and in the residence of the paramount chief. The carved imagery and the door handle were not considered merely decorative, but meaningful. The mythical dog-tiger, for example, was believed to protect both a chief’s mortal body and his soul from human intruders and evil spirits. The larger animal forming the door handle symbolizes the transition from a chief’s living quarters to the outside world. The placement of smaller, less defined aso, alludes to the complementary relationship between the chief and his people.
Excerpt from
Roslyn A. Walker, Label text, 2013.
NOTES
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PROVENANCE
1997: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas
Notes:
The main source for this provenance is the document "Statement" dated November 4, 1997, in the Collections Records object file (1997.111).
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Apply to objects where number equals 1997.111
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General Description
A pair of stylized dog-tigers (aso’lejau) is carved in low relief on this pivot-style door. The door’s handle serves as the body shared by both animals.
In pre-colonial times, the aso’lejau motif was reserved exclusively for aristocrats and found on entrance doors to the living quarters in longhouses and in the residence of the paramount chief. The carved imagery and the door handle were not considered merely decorative, but meaningful. The mythical dog-tiger, for example, was believed to protect both a chief’s mortal body and his soul from human intruders and evil spirits. The larger animal forming the door handle symbolizes the transition from a chief’s living quarters to the outside world. The placement of smaller, less defined aso, alludes to the complementary relationship between the chief and his people.
Excerpt from
Roslyn A. Walker, Label text, 2013.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1997: Dallas Museum of Art, purchased from Pacific American Corp. (Steven G. Alpert), Dallas, Texas
Notes:
The main source for this provenance is the document "Statement" dated November 4, 1997, in the Collections Records object file (1997.111).
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1997.111
source file
object_notes_2_b-0060.xml.nores