1991.101.22 William C. Codman, Martelé dessert plate


GENERAL DESCRIPTION    
At the 1900 Paris World’s Fair, Gorham Manufacturing Company introduced a limited production line of handwrought wares named Martelé, the French word for "hammered." In the spirit of the British Arts and Crafts movement, each Martelé design was raised, chased, and finished by hand, processes evident in conspicuous hammer marks. While Gorham utilized methods of production based on 19th-century precepts, it rejected styles of the past in favor of a fashion that evoked the new century: Art Nouveau. Chief Designer William C. Codman and other designers applied Art Nouveau details, such as exuberant handles and everted feet and lips with undulating edges, and decorations, such as organic ornament, to traditional forms at once progressive, yet palatable to conservative American consumers. 

This Martelé dessert plate was chased by second generation Gorham chaser Ernest W. Regester, who earned the considerable salary of $40 per week by 1905. It required 22 oz. 12 pennyweight of silver, six hours of silversmithing, and twenty-four hours of chasing, contributing to an estimated retail price of $100. 

Adapted from
  • Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 251-258. 
  • Samuel J. Hough, DMA unpublished material

NOTES
formatted, added image, updated sources - 8/30 (JBA)
I updated the title of the object in TMS to include carets to indicate italics. 

I edited, updated, or entered the Provenance, Exhibition History, and Bibliography fields in TMS. 

Catalogue essays 

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
Until 1991: The Charles R. Masling and John E. Furen Collection, Houston, Texas

From 1991: Dallas Museum of Arts, purchased from the above

AUDIO ASSETS 

VIDEO ASSETS

CONTEXTUAL IMAGE ASSETS

WEB RESOURCES 
YouTube~Watch a video about Gorham Manufacturing Company

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES 
Apply to objects where number equals 1991.101.22



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General Description
   
At the 1900 Paris World’s Fair, Gorham Manufacturing Company introduced a limited production line of handwrought wares named Martelé, the French word for "hammered." In the spirit of the British Arts and Crafts movement, each Martelé design was raised, chased, and finished by hand, processes evident in conspicuous hammer marks. While Gorham utilized methods of production based on 19th-century precepts, it rejected styles of the past in favor of a fashion that evoked the new century: Art Nouveau. Chief Designer William C. Codman and other designers applied Art Nouveau details, such as exuberant handles and everted feet and lips with undulating edges, and decorations, such as organic ornament, to traditional forms at once progressive, yet palatable to conservative American consumers. 

This Martelé dessert plate was chased by second generation Gorham chaser Ernest W. Regester, who earned the considerable salary of $40 per week by 1905. It required 22 oz. 12 pennyweight of silver, six hours of silversmithing, and twenty-four hours of chasing, contributing to an estimated retail price of $100. 

Adapted from
  • Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 251-258. 
  • Samuel J. Hough, DMA unpublished material

Fun Facts

Archival Resources

Web Resources
 
YouTube~Watch a video about Gorham Manufacturing Company

Notes
formatted, added image, updated sources - 8/30 (JBA)
I updated the title of the object in TMS to include carets to indicate italics. 

I edited, updated, or entered the Provenance, Exhibition History, and Bibliography fields in TMS. 

Catalogue essays 

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
Until 1991: The Charles R. Masling and John E. Furen Collection, Houston, Texas

From 1991: Dallas Museum of Arts, purchased from the above

AUDIO ASSETS 

VIDEO ASSETS

CONTEXTUAL
rules
Apply To
Objects
number
Equals
1991.101.22
tags
#draft
#completed
%copyedited_Gail
United States (nation): TGN: 7012149
*Decorative Arts and Design
decorative arts: AAT: 300054168
sheet metal: AAT: 300223016
chasing (metalworking): AAT: 300054016
shiny (shine): AAT: 300065244
silver (metal): AAT: 300011029
@Robinson
dessert plates: AAT: 300196492
flower (motif): AAT: 300375563
Gorham: ULAN: 500065626
monograms: AAT: 300010038
Providence (Rhode Island): TGN: 7013952
Art Nouveau: AAT: 300021430
Codman_William Christmas: ULAN: 500065626
Norfolk (county/England): TGN: 7008160
raising (metal forming process): AAT: 300237068
bobbing: DMA
finishing (process): AAT: 300053844
source file
object_notes_2_b-0040.xml.nores