GENERAL DESCRIPTION
Underglaze blue-printed botanical designs like the ones seen on this chop plate were popular with the American consumer in the last decade of the 19th century due to the never-ending appeal of Chinese ceramics. Even mistakes such as the frequent bleeding of color into the ground, known popularly as "flow blue," were absorbed by the American market.
Adapted from
Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 454, cat. 141.
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PROVENANCE
Before 1979: Nothing But Time Shop, Oak Hill, TX
1979- 1991: Private Collection, Duncanville, TX, purchased from above,
From 1991: Dallas Museum of Art, anonymous gift
[1] TMS data, previously entered provenance
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Apply to objects where number equals 1991.412.56
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General Description
Underglaze blue-printed botanical designs like the ones seen on this chop plate were popular with the American consumer in the last decade of the 19th century due to the never-ending appeal of Chinese ceramics. Even mistakes such as the frequent bleeding of color into the ground, known popularly as "flow blue," were absorbed by the American market.
Adapted from
Charles L. Venable, Ellen P. Denker, Katherine C. Grier, Stephen G. Harrison, China and Glass in America, 1880-1980: From Tabletop to TV Tray (New York: Harry N. Abrams, Inc., 2000), 454, cat. 141.
Fun Facts
Archival Resources
Web Resources
Notes
READ
- updated geo x ref and provenance
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before 1979: Nothing But Time Shop, Oak Hill, TX
1979- 1991: Private Collection, Duncanville, TX, purchased from above,
From 1991: Dallas Museum of Art, anonymous gift
[1] TMS data, previously entered provenance
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1991.412.56
source file
object_notes_2_a-0623.xml.nores