GENERAL DESCRIPTION
In the late 19th century, most pieces of holloware and expensive flatware were fitted into rather elaborate presentation boxes before departing the manufactory. Large firms like Gorham and Tiffany kept on hand stocks of wood, leather, and fabric for boxes and linings assembled by hand. In 1892, Gorham reportedly employed more than 100 male and female workers to produce the 100,000 boxes required that year. Most boxes were covered in fabric or leather and lined with satin, but ornate cases of exotic woods with plush silk interiors housed the most elaborate pieces.
This ice cream server, distinguished by bright-cut decoration in the Japanese taste, survives with its original case stamped by Philadelphia retailer J. E. Caldwell & Co. Although it lacks a maker's mark, it was probably also manufactured in Philadelphia, where firms like Peter L. Krider Co. produced objects of this style and quality.
Adapted from
Charles L. Venable, Silver in America, 1840-1940: A Century of Splendor (Dallas, Texas: Dallas Museum of Art; New York, New York; Harry N. Abrams, Inc., 1994), 87, 333.
NOTES
TMS UPdates - GeoXrefs - place of origin and business location (Peter Krider) - JBA (10/30/2017)
I removed a technique (bright-cut) from the Medium display field in TMS and added it as a Getty Vocabularies term.
I updated Provenance, Exhibition History, and Published References in TMS.
Catalogue essays
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RELATED OBJECTS
PROVENANCE
Until 1993: The V. Stephen Vaughan Collection, Chelsea, Massachusetts
From 1993: Dallas Museum of Art, purchased from the above
AUDIO ASSETS
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WEB RESOURCES
Metropolitan Museum of Art~Read more about Nineteenth-Century American Silver.
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Apply to objects where number equals 1992.7.4
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Fun Facts
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Notes
TMS UPdates - GeoXrefs - place of origin and business location (Peter Krider) - JBA (10/30/2017)
I removed a technique (bright-cut) from the Medium display field in TMS and added it as a Getty Vocabularies term.
I updated Provenance, Exhibition History, and Published References in TMS.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1993: The V. Stephen Vaughan Collection, Chelsea, Massachusetts
From 1993: Dallas Museum of Art, purchased from the above
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1992.7.4
source file
object_notes_2_a-0605.xml.nores