GENERAL DESCRIPTION
Abstract blue clouds float across a brilliant red sky. The clouds on this cloth are identified as megamenlang (simply, clouds) in contrast to those with rounded ends, which are megamendung (threatening clouds). Both clouds are welcome for an often parched land. This style of rendering is derived from 18th-century Chinese sources. In Cirebon, such cloths were used as decoration in aristocratic bed chambers and worn by sultans.
It took several months to complete a batik with the cloud motif because the cloth had to be dyed and waxed six separate times to achieve the variations in colors on the clouds and to fill in the contrasting background. Natural indigo and red mengkudu dyes were traditionally used to produce the blue and red colors. This traditional pattern enjoyed a revival in the 20th century and is accomplished with synthetic dyes.
Excerpt from
- Label text, Waxed: Batik from Java, 2016.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Indonesia (nation): TGN: 1000116
Cirebon: TGN: 7018012
Java (island/Indonesia): TGN: 7003695
Process/materials
batik: AAT: 300053050
cotton (fiber): AAT: 300183670
dye (colorant): AAT: 300013029
indigo (color): AAT: 300311066
Historical periods
Individuals
Subject terms
blue (color): AAT: 300129361
clouds: AAT: 300343840
RELATED OBJECTS
PROVENANCE
n.d.: Ratu Kaya, sister-in-law to Sultan Agung of Cirebon, Kanoman Palace, Cirebon
By 1991: Steven G. Alpert, Pacific American Corp., Dallas, TX
From 1991: Dallas Museum of Art, purchased from above [1]
The main source for this provenance is the letter from Steven G. Alpert to Carol Robbins of the Dallas Museum of Art, dated July 11, 1991, copy in Dallas Museum of Art Collections Records object file.
[1] See also the Dallas Museum of Art acquisition record dated June 25, 1991, copy in object file.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1991.58
Category
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General Description
Abstract blue clouds float across a brilliant red sky. The clouds on this cloth are identified as megamenlang (simply, clouds) in contrast to those with rounded ends, which are megamendung (threatening clouds). Both clouds are welcome for an often parched land. This style of rendering is derived from 18th-century Chinese sources. In Cirebon, such cloths were used as decoration in aristocratic bed chambers and worn by sultans.
It took several months to complete a batik with the cloud motif because the cloth had to be dyed and waxed six separate times to achieve the variations in colors on the clouds and to fill in the contrasting background. Natural indigo and red mengkudu dyes were traditionally used to produce the blue and red colors. This traditional pattern enjoyed a revival in the 20th century and is accomplished with synthetic dyes.
Excerpt from
- Label text, Waxed: Batik from Java, 2016.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Indonesia (nation): TGN: 1000116
Cirebon: TGN: 7018012
Java (island/Indonesia): TGN: 7003695
Process/materials
batik: AAT: 300053050
cotton (fiber): AAT: 300183670
dye (colorant): AAT: 300013029
indigo (color): AAT: 300311066
Historical periods
Individuals
Subject terms
blue (color): AAT: 300129361
clouds: AAT: 300343840
RELATED OBJECTS
PROVENANCE
n.d.: Ratu Kaya, sister-in-law to Sultan Agung of Cirebon, Kanoman Palace, Cirebon
By 1991: Steven G. Alpert, Pacific American Corp., Dallas, TX
From 1991: Dallas Museum of Art, purchased from above [1]
The main source for this provenance is the letter from Steven G. Alpert to Carol Robbins of the Dallas Museum of Art, dated July 11, 1991, copy in Dallas Museum of Art Collections Records object file.
[1] See also the Dallas Museum of Art acquisition record dated June 25, 1991, copy in object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1991.58
source file
object_notes_2_a-0538.xml.nores