GENERAL DESCRIPTION
In this impressively scaled and composed painting, Nigel Cooke presents a fantasy-laden tableau of a broken-down, modernist-looking dystopian architecture that houses what may be the last of the thinkers referenced in the title. The curious central figure wields the hardware of a painter and seems to be going about his craft in a desolate world of abjectness and neglect. In this scene, science fiction, comic books, and art history are all rolled into one, creating an ominous yet somehow playful allegory of the “heroic” artist’s solitary studio practice and the often-heralded death of painting.
Excerpt from
Gabriel Ritter, DMA Label copy, 2014.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2009: Stuart Shave/Modern Art LLP, London, England
From 2009: Dallas Museum of Art and The Rachofsky Collection, purchased from above [1]
[1] See invoice #02385 in Collections Records Object File 2009.28
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2009.28
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General Description
In this impressively scaled and composed painting, Nigel Cooke presents a fantasy-laden tableau of a broken-down, modernist-looking dystopian architecture that houses what may be the last of the thinkers referenced in the title. The curious central figure wields the hardware of a painter and seems to be going about his craft in a desolate world of abjectness and neglect. In this scene, science fiction, comic books, and art history are all rolled into one, creating an ominous yet somehow playful allegory of the “heroic” artist’s solitary studio practice and the often-heralded death of painting.
Excerpt from
Gabriel Ritter, DMA Label copy, 2014.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2009: Stuart Shave/Modern Art LLP, London, England
From 2009: Dallas Museum of Art and The Rachofsky Collection, purchased from above [1]
[1] See invoice #02385 in Collections Records Object File 2009.28
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2009.28
source file
object_notes_2_a-0490.xml.nores