1985.R.806, Door knocker and backplate, France probably Bordeaux, c. 1700-1750


GENERAL DESCRIPTION  
Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron and consists of two confronted C-scrolls and a turned ball strike. The knocker was shaped on an anvil with hammers and the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes. 

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

NOTES

Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron that was shaped with an anvil with hammers; the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes. 
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.

The buckle-form handle consists of two confronted C-scrolls and a turned ball strike. The a jour cutout scrolled backplate is a fine example of late French baroque design which is authoritative, yet elegant and airy. 
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

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PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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General Description
 
Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron and consists of two confronted C-scrolls and a turned ball strike. The knocker was shaped on an anvil with hammers and the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes. 

Adapted from
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

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Notes

Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron that was shaped with an anvil with hammers; the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes. 
  • Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.

The buckle-form handle consists of two confronted C-scrolls and a turned ball strike. The a jour cutout scrolled backplate is a fine example of late French baroque design which is authoritative, yet elegant and airy. 
  • Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]

From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]

[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.

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1985.R.806
tags
#draft
%Archived
handles: AAT: 300024927
scrolls (spirals/motifs): AAT: 300010094
*Decorative Arts and Design
decorative arts: AAT: 300054168
#incomplete
@bartsch-allen
%TMS pending
%Geo pending
%ProvenancePending
Europe (continent): TGN: 1000003
Reves_Wendy: DMA
Villa La Pausa: DMA
Reves_Emery: ULAN: 500444887
metalwork: AAT: 300015336
iron (metal): AAT: 300011002
hammering (metal finishing): AAT: 300054098
metalworking: AAT: 300053946
France (nation): TGN: 1000070
metal: AAT: 300010900
metalworkers (metalsmiths): AAT: 300025297
ironwork (visual works): AAT: 300015338
scrollwork (patterns): AAT: 300010205
Baroque: AAT: 300021147
nails (fasteners): AAT: 300033565
hinges (hardware): AAT: 300033367
door knockers: AAT: 300080114
Bordeaux (France): TGN: 7008161
bolts (fasteners): AAT: 300033325
backplates (finish hardware): AAT: 300033320
source file
object_notes_2_a-0482.xml.nores