GENERAL DESCRIPTION
Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron and consists of two confronted C-scrolls and a turned ball strike. The knocker was shaped on an anvil with hammers and the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes.
Adapted from
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.
NOTES
Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron that was shaped with an anvil with hammers; the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes.
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.
The buckle-form handle consists of two confronted C-scrolls and a turned ball strike. The a jour cutout scrolled backplate is a fine example of late French baroque design which is authoritative, yet elegant and airy.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.
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RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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General Description
Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron and consists of two confronted C-scrolls and a turned ball strike. The knocker was shaped on an anvil with hammers and the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes.
Adapted from
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.
Fun Facts
Archival Resources
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Notes
Made of polished iron, this beautiful door knocker is a fine example of French 18th-century metalworking. The knocker itself is wrought iron that was shaped with an anvil with hammers; the backplate was cut from sheet iron. The elaborate baroque-style scrollwork of the backplate is characteristic of early 18th-century examples, as is the use of decorative "buttons" where the knocker joins the hinge. A bolt behind the hinge secured the knocker to the door, while the backplate was held in place by nails driven through the visible holes.
- Dallas Museum of Art, Decorative Arts Highlights from the Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1995), 16.
The buckle-form handle consists of two confronted C-scrolls and a turned ball strike. The a jour cutout scrolled backplate is a fine example of late French baroque design which is authoritative, yet elegant and airy.
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 177.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Emery Reves (1904-1983) and Wendy Reves (1916-2007) (owned jointly), La Pausa, Roquebrune-Cap-Martin, France [1]
From 1985: Dallas Museum of Art, The Wendy and Emery Reves Collection, gift of Wendy Reves (1916-2007) [1]
[1] According to: Olivier Meslay and Martha MacLeod, From Chanel to Reves (Dallas, Texas: Dallas Museum of Art, 2015), 4-5.
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