2012.21, Mark Manders, Composition with Three New Piles of Sand


GENERAL DESCRIPTION  
Composition with Three Piles of Sand is a tour-de-force of asymmetry and balance, peacefulness and tension. The figure, limbless save for the one left leg—its fulcrum—leans back perilously on a wooden beam held taut by a rope in a catapultlike structure; the three piles of sand referenced in the title rest on the crossbeam at its feet. Balance and equilibrium are key elements in this work. The figure does not appear exactly comfortable, but its expression is calm and peaceable. Nonetheless, tension ripples through the work, and it appears as if the slightest move by the figure or a snapped wire could propel the figure across the room. Reflecting on this work, Manders wrote, “When I made this fragile, altarlike work, I was thinking a lot about the Middle Ages in Europe and the start of Christian imagery. I wanted to make a balancing act that is both cruel and peaceful.” In tension and repose, this sculpture is both powerful in its control and poignant in its delicacy.

Excerpt from
Jeffrey Grove, DMA Label copy, Variations on Theme: Contemporary Art 1950s - Present, 2012.

NOTES
did not get object file, no provenance, no TMS work, HAB

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Art21~Learn more about artist Mark Manders.

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Apply to objects where number equals 2012.21

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General Description
  
Composition with Three Piles of Sand is a tour-de-force of asymmetry and balance, peacefulness and tension. The figure, limbless save for the one left leg—its fulcrum—leans back perilously on a wooden beam held taut by a rope in a catapultlike structure; the three piles of sand referenced in the title rest on the crossbeam at its feet. Balance and equilibrium are key elements in this work. The figure does not appear exactly comfortable, but its expression is calm and peaceable. Nonetheless, tension ripples through the work, and it appears as if the slightest move by the figure or a snapped wire could propel the figure across the room. Reflecting on this work, Manders wrote, “When I made this fragile, altarlike work, I was thinking a lot about the Middle Ages in Europe and the start of Christian imagery. I wanted to make a balancing act that is both cruel and peaceful.” In tension and repose, this sculpture is both powerful in its control and poignant in its delicacy.

Excerpt from
Jeffrey Grove, DMA Label copy, Variations on Theme: Contemporary Art 1950s - Present, 2012.

Fun Facts

Archival Resources

Web Resources
 
Art21~Learn more about artist Mark Manders.

Notes
did not get object file, no provenance, no TMS work, HAB

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2012.21
tags
#draft
#completed
%copyedited_Gail
@Bowling
sculpture: AAT: 300047090
figures (representations): AAT: 300189808
%Archived
*Contemporary Art
%TMS pending
%Geo pending
wood (plant material): AAT: 300011914
Christianity: AAT: 300073711
balance (composition concept): AAT: 300056247
asymmetry (composition concept): AAT: 300056248
rope: AAT: 300014248
motion (dynamics/mechanics concepts): AAT: 300055907
sand: AAT: 300014341
source file
object_notes_2_a-0340.xml.nores