GENERAL DESCRIPTION
In the Equilibres series Peter Fischli and David Weiss cast everyday objects as players in a succession of elaborate, dynamic, and sometimes humorous scenes. Each object, many on the verge of collapse, is depicted in a fleeting moment of precarious balance. Though the choice of images at first appears haphazard and whimsical, the sheer number of works in the series forces us to consider a more serious motivation behind this project. Taken together, the photographs suggest systematic research into notions of chance and impermanence. In 1987, the artists developed the Equilibres series into the film The Way Things Go, which documents a perfect Rube Goldberg-like series of chain reactions that cause everyday objects to crash, burn, and soar into one another.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 102-107.
NOTES
updated all geo x refs
updated all provenance
updated all text entries (publication)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2007: Galerie Eva Presenhuber, Zürich, Switzerland [1]
From 2007: Dallas Museum of Art, The Rachofsky Collection, The Rose Collection, Alden Pinnell, and Catherine and Will Rose, purchased from above
[1] See invoice and certificate of authenticity in Collections Records Object File 20017.43-82 (1/2)
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Art in America~Read, "The Indiscreet Charm of Fischli and Weiss."
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2007.43.75
Category
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General Description
In the Equilibres series Peter Fischli and David Weiss cast everyday objects as players in a succession of elaborate, dynamic, and sometimes humorous scenes. Each object, many on the verge of collapse, is depicted in a fleeting moment of precarious balance. Though the choice of images at first appears haphazard and whimsical, the sheer number of works in the series forces us to consider a more serious motivation behind this project. Taken together, the photographs suggest systematic research into notions of chance and impermanence. In 1987, the artists developed the Equilibres series into the film The Way Things Go, which documents a perfect Rube Goldberg-like series of chain reactions that cause everyday objects to crash, burn, and soar into one another.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 102-107.
Fun Facts
Archival Resources
Web Resources
Notes
updated all geo x refs
updated all provenance
updated all text entries (publication)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2007: Galerie Eva Presenhuber, Zürich, Switzerland [1]
From 2007: Dallas Museum of Art, The Rachofsky Collection, The Rose Collection, Alden Pinnell, and Catherine and Will Rose, purchased from above
[1] See invoice and certificate of authenticity in Collections Records Object File 20017.43-82 (1/2)
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2007.43.75
source file
object_notes_2_a-0328.xml.nores