2007.43.52, Peter Fischli and David Weiss, suite of 82 prints, 1984-1986

 

GENERAL DESCRIPTION  
In the Equilibres series Peter Fischli and David Weiss cast everyday objects as players in a succession of elaborate, dynamic, and sometimes humorous scenes. Each object, many on the verge of collapse, is depicted in a fleeting moment of precarious balance. Though the choice of images at first appears haphazard and whimsical, the sheer number of works in the series forces us to consider a more serious motivation behind this project. Taken together, the photographs suggest systematic research into notions of chance and impermanence. In 1987, the artists developed the Equilibres series into the film The Way Things Go, which documents a perfect Rube Goldberg-like series of chain reactions that cause everyday objects to crash, burn, and soar into one another.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 102-107.

NOTES
updated all geo x refs
updated all provenance
updated all text entries (publication)

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Artist/designers

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PROVENANCE 
Until 2007: Galerie Eva Presenhuber, Zürich, Switzerland [1]

From 2007: Dallas Museum of Art, The Rachofsky Collection, The Rose Collection, Alden Pinnell, and Catherine and Will Rose, purchased from above

[1] See invoice and certificate of authenticity in Collections Records Object File 20017.43-82 (1/2)

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General Description
 
In the Equilibres series Peter Fischli and David Weiss cast everyday objects as players in a succession of elaborate, dynamic, and sometimes humorous scenes. Each object, many on the verge of collapse, is depicted in a fleeting moment of precarious balance. Though the choice of images at first appears haphazard and whimsical, the sheer number of works in the series forces us to consider a more serious motivation behind this project. Taken together, the photographs suggest systematic research into notions of chance and impermanence. In 1987, the artists developed the Equilibres series into the film The Way Things Go, which documents a perfect Rube Goldberg-like series of chain reactions that cause everyday objects to crash, burn, and soar into one another.

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 102-107.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated all geo x refs
updated all provenance
updated all text entries (publication)

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2007: Galerie Eva Presenhuber, Zürich, Switzerland [1]

From 2007: Dallas Museum of Art, The Rachofsky Collection, The Rose Collection, Alden Pinnell, and Catherine and Will Rose, purchased from above

[1] See invoice and certificate of authenticity in Collections Records Object File 20017.43-82 (1/2)

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2007.43.52
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
*Contemporary Art
humor: AAT: 300055927
still life: AAT: 300015638
balance (composition concept): AAT: 300056247
shoes (footwear): AAT: 300046065
round (shape): AAT: 300121969
black-and-white photographs: AAT: 300128347
found objects: AAT: 300047210
series (groups): AAT: 300027349
horizon line: AAT: 300067731
Fischli & Weiss: ULAN: 500124629
Fischli_Peter: ULAN: 500101939
Weiss_David: ULAN: 500060883
source file
object_notes_2_a-0304.xml.nores