GENERAL DESCRIPTION
One of the most revered artists of post-war Germany, Jörg Immendorff's paintings confront the legacy of Nazism and the societal divisions afflicting his home country during the Cold War. The title of this painting translates as "Singing Armor," but also bears the name of the German tanks used during World War II. Paintings lining the corridor walls are inscribed with lyrics from Nazi marching songs. Depicted are Immendorff and A.R. Penck, a friend and fellow artist, holding staffs topped by Nazi symbols. An electric current, charging the poles, takes a ghoulish form in the center of the canvas. Painted fourty years after Germany's surrender to the Allies, it is apparent in this nightmarish scene that German artists were still haunted by their country's history.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 96.
NOTES
updated provenance and geo x refs
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Artist/designers
Cultures
Geography
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Historical periods
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PROVENANCE
Until 2007: Michael Werner Gallery, New York [1]
From 2007: Dallas Museum of Art
[1] See correspondence in Collections Records Object File 2007.9
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General Description
One of the most revered artists of post-war Germany, Jörg Immendorff's paintings confront the legacy of Nazism and the societal divisions afflicting his home country during the Cold War. The title of this painting translates as "Singing Armor," but also bears the name of the German tanks used during World War II. Paintings lining the corridor walls are inscribed with lyrics from Nazi marching songs. Depicted are Immendorff and A.R. Penck, a friend and fellow artist, holding staffs topped by Nazi symbols. An electric current, charging the poles, takes a ghoulish form in the center of the canvas. Painted fourty years after Germany's surrender to the Allies, it is apparent in this nightmarish scene that German artists were still haunted by their country's history.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 96.
Fun Facts
Archival Resources
Web Resources
Notes
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2007: Michael Werner Gallery, New York [1]
From 2007: Dallas Museum of Art
[1] See correspondence in Collections Records Object File 2007.9
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2007.9
source file
object_notes_2_a-0245.xml.nores