2007.9, Jorg Immendorff, Electric Painting - Singender Panzer, 1985, oil on canvas


GENERAL DESCRIPTION  
One of the most revered artists of post-war Germany, Jörg Immendorff's paintings confront the legacy of Nazism and the societal divisions afflicting his home country during the Cold War. The title of this painting translates as "Singing Armor," but also bears the name of the German tanks used during World War II. Paintings lining the corridor walls are inscribed with lyrics from Nazi marching songs. Depicted are Immendorff and A.R. Penck, a friend and fellow artist, holding staffs topped by Nazi symbols. An electric current, charging the poles, takes a ghoulish form in the center of the canvas. Painted fourty years after Germany's surrender to the Allies, it is apparent in this nightmarish scene that German artists were still haunted by their country's history. 

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 96.

NOTES
updated provenance and geo x refs

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PROVENANCE 
Until 2007: Michael Werner Gallery, New York [1]

From 2007: Dallas Museum of Art

[1] See correspondence in Collections Records Object File 2007.9

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General Description
 
One of the most revered artists of post-war Germany, Jörg Immendorff's paintings confront the legacy of Nazism and the societal divisions afflicting his home country during the Cold War. The title of this painting translates as "Singing Armor," but also bears the name of the German tanks used during World War II. Paintings lining the corridor walls are inscribed with lyrics from Nazi marching songs. Depicted are Immendorff and A.R. Penck, a friend and fellow artist, holding staffs topped by Nazi symbols. An electric current, charging the poles, takes a ghoulish form in the center of the canvas. Painted fourty years after Germany's surrender to the Allies, it is apparent in this nightmarish scene that German artists were still haunted by their country's history. 

Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 96.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2007: Michael Werner Gallery, New York [1]

From 2007: Dallas Museum of Art

[1] See correspondence in Collections Records Object File 2007.9

AUDIO ASSETS 

VIDEO ASSETS

rules
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Objects
number
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2007.9
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
painting (visual works): AAT: 300033618
*Contemporary Art
color (perceived attribute): AAT: 300056130
linear perspective (technique): AAT: 300056348
interior spaces: AAT: 300078790
Germany (nation): TGN: 7000084
wars: AAT: 300055314
National Socialism: AAT: 300055524
electricity: AAT: 300055232
history (discipline): AAT: 300054394
world wars: AAT: 300247280
ghost (spirits): AAT: 300379162
Immendorff_Jörg: ULAN: 500047382
source file
object_notes_2_a-0245.xml.nores