GENERAL DESCRIPTION
Thomas Ruff is a Düsseldorf-based photographer known for the diversity of both technical and conceptual experimentation with the medium. Ruff is especially interested in how photography is easily manipulated and how such manipulation puts the notion of its authenticity into question. jpegcc01 appears to be a low resolution image of a landscape blown up to such a scale that it causes severe pixelation. With clear pixel lines incised across the surface, the viewer must stand at a distance to see the full picture of a cave, located in Copper Canyon. Using JPEGs (the standard compression filed used for Internet images), Ruff salvages such highly mediated images by emphasizing their formal properties, such as the almost impressionistic patchwork of pure squares of color. In doing so, Ruff restores meaning and beauty to what would otherwise be unusable material in fine art photography.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 78.
NOTES
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2005: David Zwirner Gallery, New York, NY [1]
From 2005: Dallas Museum of Art, purchased from above
[1] See copy of check #11968 in Collections Records Object File 2005.50
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VIDEO ASSETS
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ARCHIVAL RESOURCES
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TEACHING IDEAS
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Apply to objects where number equals 2005.50
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General Description
Thomas Ruff is a Düsseldorf-based photographer known for the diversity of both technical and conceptual experimentation with the medium. Ruff is especially interested in how photography is easily manipulated and how such manipulation puts the notion of its authenticity into question. jpegcc01 appears to be a low resolution image of a landscape blown up to such a scale that it causes severe pixelation. With clear pixel lines incised across the surface, the viewer must stand at a distance to see the full picture of a cave, located in Copper Canyon. Using JPEGs (the standard compression filed used for Internet images), Ruff salvages such highly mediated images by emphasizing their formal properties, such as the almost impressionistic patchwork of pure squares of color. In doing so, Ruff restores meaning and beauty to what would otherwise be unusable material in fine art photography.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 78.
Fun Facts
Archival Resources
Web Resources
Notes
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2005: David Zwirner Gallery, New York, NY [1]
From 2005: Dallas Museum of Art, purchased from above
[1] See copy of check #11968 in Collections Records Object File 2005.50
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2005.50
source file
object_notes_2_a-0208.xml.nores