GENERAL DESCRIPTION
In this haunting photograph, one of a series of four (2005.44.1, 2005.44.2, 2005.44.3), artist David Wojnarowicz had himself photographed around New York with a mask of the French symbolist poet Arthur Rimbaud, who is most famous for his poem cycle, A Season in Hell. Like that of Rimbaud, Wojnarowicz's early life was characterized with alienation from society and family, with a period of living on the streets, a young person dealing with being gay in an overtly hostile environment. In this project, the scenes depicted are the New York locales Wojnarowicz frequented in this period of homelessness and drug abuse. The figure in these scenes is shown standing eerily alone in his own world, despite the presence of people around him.
Wojnarowicz's photographs simultaneously demonstrate the ability of photography to both create stories and to investigate how society and the media have long used the creation of images to tell stories in service of their own agendas. Considered on their own, these four photographs are at once, paradoxically, documentary evidence and narrative set up; they record a life both vividly imagined and intensely lived.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 76-77.
NOTES
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2005: PPOW Gallery, New York, NY [1]
From 2005: Dallas Museum of Art
[1] See copy of check #11923 in Collection Records Object File 2005.44.1-4
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Interview Magazine~Read more about the life and work of David Wojnarowicz.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2005.44.4
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General Description
In this haunting photograph, one of a series of four (2005.44.1, 2005.44.2, 2005.44.3), artist David Wojnarowicz had himself photographed around New York with a mask of the French symbolist poet Arthur Rimbaud, who is most famous for his poem cycle, A Season in Hell. Like that of Rimbaud, Wojnarowicz's early life was characterized with alienation from society and family, with a period of living on the streets, a young person dealing with being gay in an overtly hostile environment. In this project, the scenes depicted are the New York locales Wojnarowicz frequented in this period of homelessness and drug abuse. The figure in these scenes is shown standing eerily alone in his own world, despite the presence of people around him.
Wojnarowicz's photographs simultaneously demonstrate the ability of photography to both create stories and to investigate how society and the media have long used the creation of images to tell stories in service of their own agendas. Considered on their own, these four photographs are at once, paradoxically, documentary evidence and narrative set up; they record a life both vividly imagined and intensely lived.
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 76-77.
Fun Facts
Archival Resources
Web Resources
Notes
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2005: PPOW Gallery, New York, NY [1]
From 2005: Dallas Museum of Art
[1] See copy of check #11923 in Collection Records Object File 2005.44.1-4
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2005.44.4
source file
object_notes_2_a-0207.xml.nores