1942.27 Ernest Haskell, General Sherman


GENERAL DESCRIPTION  
General Sherman is one of many etchings that Ernest Haskell created of Giant Sequoia and other American tree species during the first two decades of the 20th century. In these scenes, Haskell juxtaposes the massive scale of the trees with scrupulous detail, demonstrating his interest in mastering the technical aspects of etching.

Initially a newspaper illustrator and poster designer, Haskell took up etching after meeting the famous artist and etcher James Abbott McNeill Whistler during a trip to Europe. Haskell preferred working in a traditional, naturalistic manner, using the meticulous styles of Albrecht Dürer, Leonardo da Vinci, and other old masters to render American subjects and scenes. He was also interested in modern art, however, and made additional trips abroad in order to study the work of Pablo Picasso, Henri Matisse, and other contemporary artists first–hand.

Excerpt from
Sara Woodbury, DMA Label text, 2011.

NOTES
Created 1914 or 1915

April 2011

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Artist/designers

Cultures

Geography 
Depicted location: Tulare (inhabited place/California): TGN: 7015506

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PROVENANCE 
From 1942: Dallas Museum of Fine Arts, gift of Mrs. A.E. Zonne [1].

[1] The name of the Dallas Musuem of Fine Arts, founded in 1933, was changed to the Dallas Musuem of Art in 1983.

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Apply to objects where number equals 1942.27

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General Description
 
General Sherman is one of many etchings that Ernest Haskell created of Giant Sequoia and other American tree species during the first two decades of the 20th century. In these scenes, Haskell juxtaposes the massive scale of the trees with scrupulous detail, demonstrating his interest in mastering the technical aspects of etching.

Initially a newspaper illustrator and poster designer, Haskell took up etching after meeting the famous artist and etcher James Abbott McNeill Whistler during a trip to Europe. Haskell preferred working in a traditional, naturalistic manner, using the meticulous styles of Albrecht Dürer, Leonardo da Vinci, and other old masters to render American subjects and scenes. He was also interested in modern art, however, and made additional trips abroad in order to study the work of Pablo Picasso, Henri Matisse, and other contemporary artists first–hand.

Excerpt from
Sara Woodbury, DMA Label text, 2011.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 1914 or 1915

April 2011

Catalogue essays

Artist/designers

Cultures

Geography 
Depicted location: Tulare (inhabited place/California): TGN: 7015506

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1942: Dallas Museum of Fine Arts, gift of Mrs. A.E. Zonne [1].

[1] The name of the Dallas Musuem of Fine Arts, founded in 1933, was changed to the Dallas Musuem of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1942.27
tags
#draft
#completed
trees (plants): AAT: 300132410
*American Art
@Russell
%Geo pending
#routed
leaves (plant components): AAT: 300400479
verticality: AAT: 300056325
works on paper: AAT: 300189621
%imagefixed
etching (printing process): AAT: 300053241
%copyedited_Chloe
black-and-white (colors): AAT: 300265434
branches (plant components): AAT: 300379798
Haskell_Ernest: ULAN: 500008382
Tulare (inhabited place/California): TGN: 7015506
source file
object_notes_2_a-0128.xml.nores