1954.7 Louis Lozowick, Sky Overcast


GENERAL DESCRIPTION  
Sky Overcast, one of several images that Louis Lozowick created of telephone wires, is both a naturalistic landscape and an abstract composition. The soft forms of the clouds contrast with the straight black lines of the wires, which bend into unusual angles and shapes. Meanwhile, a single tree in the left corner both grounds and disorients us, prompting us to question our actual vantage point in the landscape.

Originally from a small village in what is now Ukraine, Louis Lozowick immigrated to the United States as a child. During the 1920s, he spent several years in Europe, living in Paris and Berlin. Lozowick became closely associated with the Russian constructivists working in Germany, and their emphasis on technology and abstract geometric forms profoundly influenced his work. Beginning in the 1930s, however, Lozowick also began creating landscapes, exploring the interaction between the natural world and human technology.

Excerpt from
Sara Woodbury, DMA label copy, 2011.

NOTES
Created 1951

April 2011

Checked Piction

Provenance taken from Brain---due to time constraints did not research further.

Geography unverified

Catalogue essays

Artist/designers
Lozowick, Louis (American, born Russia (now Ukraine), 1892-1973)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1954: Dallas Museum of Art, Henson Printing Company Prize, 1st Annual Dallas National Print Exhibition, 1953 [1]

[1] The name of the Dallas Musuem of Fine Arts, founded in 1933, was changed to the Dallas Musuem of Art in 1983.

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Apply to objects where number equals 1954.14


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General Description
 
Sky Overcast, one of several images that Louis Lozowick created of telephone wires, is both a naturalistic landscape and an abstract composition. The soft forms of the clouds contrast with the straight black lines of the wires, which bend into unusual angles and shapes. Meanwhile, a single tree in the left corner both grounds and disorients us, prompting us to question our actual vantage point in the landscape.

Originally from a small village in what is now Ukraine, Louis Lozowick immigrated to the United States as a child. During the 1920s, he spent several years in Europe, living in Paris and Berlin. Lozowick became closely associated with the Russian constructivists working in Germany, and their emphasis on technology and abstract geometric forms profoundly influenced his work. Beginning in the 1930s, however, Lozowick also began creating landscapes, exploring the interaction between the natural world and human technology.

Excerpt from
Sara Woodbury, DMA label copy, 2011.

Fun Facts

Archival Resources

Web Resources
 
Notes
Created 1951

April 2011

Checked Piction

Provenance taken from Brain---due to time constraints did not research further.

Geography unverified

Catalogue essays

Artist/designers
Lozowick, Louis (American, born Russia (now Ukraine), 1892-1973)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
From 1954: Dallas Museum of Art, Henson Printing Company Prize, 1st Annual Dallas National Print Exhibition, 1953 [1]

[1] The name of the Dallas Musuem of Fine Arts, founded in 1933, was changed to the Dallas Musuem of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1954.14
tags
#draft
#completed
%Archived
abstract: AAT: 300108127
lines (geometric concept): AAT: 300056279
trees (plants): AAT: 300132410
*American Art
sky: AAT: 300263064
@Russell
#routed
clouds: AAT: 300343840
National Academy of Design (NYC): ULAN: 500303614
%copyedited_Chloe
weather (earth science concept): AAT: 300055366
telephone wires: AAT: 300257352
Lozowick_Louis: ULAN: 500028616
source file
object_notes_2_a-0123.xml.nores