1990.113 Rembrandt van Rijn, Medea: Or the Marriage of Jason and Creusa


GENERAL DESCRIPTION  
The story depicted in this etching revolves around Jason, the leader of the Argonauts, and his abduction of Creusa, the beautiful, young, and wealthy daughter of Creon, King of Corinth. When Jason’s wife, the sorceress Medea, learns of Jason’s plans to marry Creusa, she seeks revenge by poisoning Creusa and her father and killing her own two sons. In this illustration, Rembrandt took considerable artistic liberties as he invented a scene that is not described in any line of the play, Medea: the marriage of Jason and Creusa. Set in a church, the subject might be mistaken for a biblical scene if it were not for the female figure in the foreground, who holds Medea’s trademark weapons of a dagger and a container of poison. Earlier impressions of this etching were intended as independent works of art for a small circle of connoisseurs. This etching by Rembrandt van Rijn was the frontispiece of a modern version of the Greek tragedy Medea. The unusual choice of subject matter likely prompted the inclusion of an explanatory caption:

Creus[a] and Jason here pledge their troth to each other. 
Medea, Jason’s wife, unjustly shoved aside, 
Was inflamed by spite, [and] vengeance drove her on. 
Alas! Infidelity, how dear you cost!

Excerpt from
Nicole R. Myers, DMA label copy, 2018.

NOTES
Created in 1648

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Place of origin: Amsterdam (Netherlands): TGN: 7006952

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Etching and drypoint on paper

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General Description
 
The story depicted in this etching revolves around Jason, the leader of the Argonauts, and his abduction of Creusa, the beautiful, young, and wealthy daughter of Creon, King of Corinth. When Jason’s wife, the sorceress Medea, learns of Jason’s plans to marry Creusa, she seeks revenge by poisoning Creusa and her father and killing her own two sons. In this illustration, Rembrandt took considerable artistic liberties as he invented a scene that is not described in any line of the play, Medea: the marriage of Jason and Creusa. Set in a church, the subject might be mistaken for a biblical scene if it were not for the female figure in the foreground, who holds Medea’s trademark weapons of a dagger and a container of poison. Earlier impressions of this etching were intended as independent works of art for a small circle of connoisseurs. This etching by Rembrandt van Rijn was the frontispiece of a modern version of the Greek tragedy Medea. The unusual choice of subject matter likely prompted the inclusion of an explanatory caption:

Creus[a] and Jason here pledge their troth to each other. 
Medea, Jason’s wife, unjustly shoved aside, 
Was inflamed by spite, [and] vengeance drove her on. 
Alas! Infidelity, how dear you cost!

Excerpt from
Nicole R. Myers, DMA label copy, 2018.

Fun Facts

Archival Resources

Web Resources


Notes
Created in 1648

Checked Piction

Fourth state

Catalogue essays

Artist/designers

Cultures

Geography 
Place of origin: Amsterdam (Netherlands): TGN: 7006952

Process/materials
Etching and drypoint on paper

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1990.113
tags
#draft
#completed
%copyedited_Gail
%Archived
human figures: AAT: 300404114
@Russell
#routed
*European Art
drapery (representations): AAT: 300262585
arches: AAT: 300000994
crowns (headdresses): AAT: 300046020
works on paper: AAT: 300189621
etching (printing process): AAT: 300053241
cross-hatching: AAT: 300101925
daggers (weapons): AAT: 300037058
marriage (social construct): AAT: 300055475
paper (fiber product): AAT: 300014109
draperies (curtains): AAT: 300203770
stairs: AAT: 300003228
churches (buildings): AAT: 300007466
Amsterdam (Netherlands): TGN: 7006952
Rembrandt van Rijn: ULAN: 500011051
tragedies: AAT: 300201026
frontispieces (illustrations): AAT: 300083021
drypoint (printing process): AAT: 300053228
witches: AAT: 300252827
vengeance: AAT: 300379068
poison (venom): AAT: 300412103
Euripides: ULAN: 500404157
source file
object_notes_1_d-0103.xml.nores