GENERAL DESCRIPTION
Mother and Children (2) is one of Nancy Spero’s earliest paintings, and belongs to a series of works referred to as the Paris Black Paintings. This series includes about thirty paintings and a dozen works on paper, which she executed while living in Paris in the late-1950s and 1960. Major themes include childbirth and relationships between lovers, parents, and children. Ethereal figures in this series are often obscured by a misty, murky haze.
This painting was created just after Spero’s second child (of three) was born in 1954. As a mother and artist, Spero found that she often only had time to work in the studio at night after the children went to bed. Spero stated: “They are paintings of the night revealing things that happen in the night. The darkness envelops the figures and gives them a sense of protection. These works were meant to be about isolation. The figures are related yet they are not. We are ultimately alone and isolated. I wanted to make an existential statement about the self.”
Adapted from
Jeffrey Grove, DMA Label text, 2012.
NOTES
Exhibitions: The Museum is History, 2014; Variations on a Theme, 2012-2013
Catalogue essays
Artist/designers
Cultures
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RELATED OBJECTS
PROVENANCE
Until 2012: Estate of the Artist
2012: Dallas Museum of Art, purchased through Galerie Lelong, New York [1]
Notes:
The main source for this provenance is the copy of the invoice dated May 30, 2012, in the Collections Records object file (2012.14).
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WEB RESOURCES
- Tate~Learn more about Nancy Spero's Paris Black Paintings and see another work from this period.
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General Description
Mother and Children (2) is one of Nancy Spero’s earliest paintings, and belongs to a series of works referred to as the Paris Black Paintings. This series includes about thirty paintings and a dozen works on paper, which she executed while living in Paris in the late-1950s and 1960. Major themes include childbirth and relationships between lovers, parents, and children. Ethereal figures in this series are often obscured by a misty, murky haze.
This painting was created just after Spero’s second child (of three) was born in 1954. As a mother and artist, Spero found that she often only had time to work in the studio at night after the children went to bed. Spero stated: “They are paintings of the night revealing things that happen in the night. The darkness envelops the figures and gives them a sense of protection. These works were meant to be about isolation. The figures are related yet they are not. We are ultimately alone and isolated. I wanted to make an existential statement about the self.”
Adapted from
Jeffrey Grove, DMA Label text, 2012.
Fun Facts
Archival Resources
Web Resources
Notes
Exhibitions: The Museum is History, 2014; Variations on a Theme, 2012-2013
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2012: Estate of the Artist
2012: Dallas Museum of Art, purchased through Galerie Lelong, New York [1]
Notes:
The main source for this provenance is the copy of the invoice dated May 30, 2012, in the Collections Records object file (2012.14).
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
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2012.14
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