GENERAL DESCRIPTION
American sculptor Richard Serra appears here as the older master architect of the Chrysler building whom the apprentice architect, played by Barney himself in his film Cremaster 3, must conquer in order to achieve his own identity. Serra stands in front of a tool-like set of columns, a reference to two pillars designed by Hiram Abiff, the mythic architect of Solomon's Temple, who possessed knowledge of the mysteries of the universe. The murder and resurrection of Abiff are reenacted during Masonic initiation rites. Of his work with Barney, Serra said, “What’s interesting is how he’s been able to involve people in his work, his ability to have people who are non-performers enter into his intensity and become an extension of his imagination.”
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 52.
NOTES
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RELATED OBJECTS
PROVENANCE
Until 2003: Gladstone Gallery, New York, New York [1]
From 2003: Dallas Museum of Art, purchased from above
[1] See copy of check #10574 in Collections Records Object File 2003.24.2
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WEB RESOURCES
- Guggenheim~Read more about the Cremaster series.
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General Description
American sculptor Richard Serra appears here as the older master architect of the Chrysler building whom the apprentice architect, played by Barney himself in his film Cremaster 3, must conquer in order to achieve his own identity. Serra stands in front of a tool-like set of columns, a reference to two pillars designed by Hiram Abiff, the mythic architect of Solomon's Temple, who possessed knowledge of the mysteries of the universe. The murder and resurrection of Abiff are reenacted during Masonic initiation rites. Of his work with Barney, Serra said, “What’s interesting is how he’s been able to involve people in his work, his ability to have people who are non-performers enter into his intensity and become an extension of his imagination.”
Adapted from
Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 52.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2003: Gladstone Gallery, New York, New York [1]
From 2003: Dallas Museum of Art, purchased from above
[1] See copy of check #10574 in Collections Records Object File 2003.24.2
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2003.24.2
source file
object_notes_1_b-0156.xml.nores