2012.37 Uri Aran, Untitled (I Love You)


GENERAL DESCRIPTION  
In his drawings and videos, Uri Aran often plays with the human feelings that we project onto animals. Untitled (I Love You) captures a mundane scene of the artist rum­maging through a shoebox full of aquatic toy animals. As the artist selects the first toy from the box, a whale shark figurine is presented to the camera and observed from all angles. The artist lovingly caresses the toy, and after a thorough visual assessment professes “I love you” emphatically to the whale figurine. This seemingly absurd exercise is repeated several times with different toys. With each iteration, the artist treats the figurines with varying degrees of enthusiasm, care, and respect. In so doing, he creates an arbitrary hierarchy among the animals that mirrors how we as human beings ascribe equally arbitrary values to our relationships with other people, pets, and possessions through language.

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 203.

NOTES
Did not get object file- streamlined process, no provenance. CLC, 12/4/18. 

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WEB RESOURCES 
  • Walker~Check out an extended essay discussing the relationship between Aran's work and the legacy of Belgian conceptual artist Marcel Broodthaers. 

ARCHIVAL RESOURCES

FUN FACTS

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RULES
Apply to objects where number equals 2012.37

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General Description
 
In his drawings and videos, Uri Aran often plays with the human feelings that we project onto animals. Untitled (I Love You) captures a mundane scene of the artist rum­maging through a shoebox full of aquatic toy animals. As the artist selects the first toy from the box, a whale shark figurine is presented to the camera and observed from all angles. The artist lovingly caresses the toy, and after a thorough visual assessment professes “I love you” emphatically to the whale figurine. This seemingly absurd exercise is repeated several times with different toys. With each iteration, the artist treats the figurines with varying degrees of enthusiasm, care, and respect. In so doing, he creates an arbitrary hierarchy among the animals that mirrors how we as human beings ascribe equally arbitrary values to our relationships with other people, pets, and possessions through language.

Excerpt from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 203.

Fun Facts

Archival Resources

Web Resources
 
  • Walker~Check out an extended essay discussing the relationship between Aran's work and the legacy of Belgian conceptual artist Marcel Broodthaers. 

Notes
Did not get object file- streamlined process, no provenance. CLC, 12/4/18. 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2012.37
tags
whales (living organism): AAT: 300250157
#draft
#completed
animals (Animalia kingdom): AAT: 300249395
%Archived
*Contemporary Art
@Courtney
%Geo pending
%ProvenancePending
video art: AAT: 300102067
#routed
%copyedited_Jennie
language (general communication): AAT: 300055193
love: AAT: 300055165
toys (recreational artifacts): AAT: 300211037
sharks: AAT: 300249658
order (concept): AAT: 300247348
Aran_Uri: ULAN: 500355607
aquatic: AAT: 300404118
classification: AAT: 300054631
source file
object_notes_1_b-0103.xml.nores