GENERAL DESCRIPTION
In his drawings and videos, Uri Aran often plays with the human feelings that we project onto animals. Untitled (I Love You) captures a mundane scene of the artist rummaging through a shoebox full of aquatic toy animals. As the artist selects the first toy from the box, a whale shark figurine is presented to the camera and observed from all angles. The artist lovingly caresses the toy, and after a thorough visual assessment professes “I love you” emphatically to the whale figurine. This seemingly absurd exercise is repeated several times with different toys. With each iteration, the artist treats the figurines with varying degrees of enthusiasm, care, and respect. In so doing, he creates an arbitrary hierarchy among the animals that mirrors how we as human beings ascribe equally arbitrary values to our relationships with other people, pets, and possessions through language.
Excerpt from
- Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 203.
NOTES
Did not get object file- streamlined process, no provenance. CLC, 12/4/18.
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WEB RESOURCES
- Walker~Check out an extended essay discussing the relationship between Aran's work and the legacy of Belgian conceptual artist Marcel Broodthaers.
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General Description
In his drawings and videos, Uri Aran often plays with the human feelings that we project onto animals. Untitled (I Love You) captures a mundane scene of the artist rummaging through a shoebox full of aquatic toy animals. As the artist selects the first toy from the box, a whale shark figurine is presented to the camera and observed from all angles. The artist lovingly caresses the toy, and after a thorough visual assessment professes “I love you” emphatically to the whale figurine. This seemingly absurd exercise is repeated several times with different toys. With each iteration, the artist treats the figurines with varying degrees of enthusiasm, care, and respect. In so doing, he creates an arbitrary hierarchy among the animals that mirrors how we as human beings ascribe equally arbitrary values to our relationships with other people, pets, and possessions through language.
Excerpt from
- Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018, 203.
Fun Facts
Archival Resources
Web Resources
- Walker~Check out an extended essay discussing the relationship between Aran's work and the legacy of Belgian conceptual artist Marcel Broodthaers.
Notes
Did not get object file- streamlined process, no provenance. CLC, 12/4/18.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2012.37
source file
object_notes_1_b-0103.xml.nores